Lifestyle
Estonia’s song celebration unites thousands of voices in Tallinn

TALLINN, Estonia (AP) — The voices of more than 21,000 choir singers rang out in the rain in Estonia, and a huge crowd of spectators erupted in applause, unfazed by the gloomy weather.
The Song Festival Grounds, a massive outdoor venue in the Estonian capital, Tallinn, was packed on Saturday evening despite the downpour. The traditional Song and Dance Celebration, that decades ago inspired resistance to Soviet control and was later recognized by the U.N.’s cultural agency, attracted tens of thousands of performers and spectators alike, many in national costume.
The four-day choir-singing and dancing event centers around Estonian folk songs and patriotic anthems and is held roughly every five years. The tradition dates back to the 19th century. In the late 1980s, it inspired the defiant Singing Revolution, helping Estonia and other Baltic nations break free from the Soviet occupation.
To this day, it remains a major point of national pride for a country of about 1.3 million.
This year, tickets to the main event -– a seven-hour concert on Sunday featuring choirs of all ages -– sold out weeks in advance.
Rasmus Puur, a conductor at the song festival and assistant to the artistic director, ascribes the spike in popularity to Estonians longing for a sense of unity in the wake of the global turmoil, especially Russia’s war in Ukraine.
“We want to feel as one today more than six years ago (when the celebration was last held), and we want to feel that we are part of Estonia,” Puur told The Associated Press on Friday.
Soviet occupation
The tradition to hold massive first song-only, then song and dance festivals dates back to the time when Estonia was part of the Russian Empire.
The first song celebration was held in 1869 in the southern city of Tartu. It heralded a period of national awakening for Estonians, when Estonian-language press, theater and other things emerged, says Elo-Hanna Seljamaa, associate professor at the University of Tartu.
The festivals continued throughout a period of Estonia’s independence between the two world wars and then during the nearly 50 years of Soviet occupation.
The Soviet rulers were into “mass spectacles of all kinds, so in a way it was very logical for the Soviet regime to tap into this tradition and to try to co-opt it,” Seljamaa said in an interview.
Estonians had to sing Soviet propaganda songs in Russian during that time, but they were also able to sing their own songs in their own language, which was both an act of defiance and an act of therapy for them, she said.
At the same time, the complicated logistics of putting together a mass event like that taught Estonians to organize, Seljamaa said, so when the political climate changed in the 1980s, the protest against the Soviet rule naturally came in the form of coming together and singing.
The unity extended beyond Estonia’s borders. During the Singing Revolution, 2 million people in Estonia, Latvia and Lithuania joined hands to form a 600-kilometer (370-mile) human chain that protested Soviet occupation of the Baltics with a song.
In 2003, the United Nations’ cultural body, UNESCO, recognized Estonia’s folk song festival and similar events in Latvia and Lithuania for showcasing the “intangible cultural heritage of humanity.”
‘We sang ourselves free’
Marina Nurming recalls attending the Singing Revolution gatherings in the 1980s as a teenager. This year she travelled to Tallinn from Luxembourg, where she currently lives, to take part in the Song and Dance Celebration as a choir singer –- her longtime hobby.
The Singing Revolution is a time “when we sang ourselves free,” she told AP.
Seljamaa says the song and dance celebration may have suffered a drop in popularity in the 1990s, a somewhat difficult time for Estonia as it was emerging as an independent country after the Soviet Union collapsed, but has since bounced back.
There is a tremendous interest in it among young people, she says, and always more performers willing to take part than the venue can fit in, and there are people who had left Estonia to live abroad, but travel back to take part.
Nurming is one example. She is part of the European Choir of Estonians – a singing group that unites Estonians from more than a dozen countries.
Many opportunities to sing
This year’s four-day celebration, which started on Thursday, included several stadium dancing performances by over 10,000 dancers from all around the country and a folk music instrument concert.
It culminates over the weekend with the song festival featuring some 32,000 choir singers, preceded by a large procession, in which all participants -– singers, dancers, musicians, clad in traditional costumes and waving Estonian flags –- march from the city center to the Song Festival Grounds by the Baltic Sea.
Those taking part come from all corners of Estonia, and there are collectives from abroad, as well. It’s a mix of men, women and children, with participants aged from six to 93.
For most, singing and dancing is a hobby on top of their day jobs or studies. But to take part in the celebration, collectives had to go through a rigorous selection process, and months worth of rehearsals.
For Karl Kesküla, an electrical engineer from Estonia’s western island of Saaremaa, this is the first time taking part in the song celebration as a singer -– but he attended it before as a spectator.
“I got the feeling that what they did was really special and almost, like, every person you meet has gone to it or been a part of it at least once. So I just wanted that feeling too,” Kesküla, 30, told the AP at the procession on Saturday.
High emotional point
The theme of the song festival this year is dialects and regional languages, and the repertoire is a mix of folk songs, well-known patriotic anthems that are traditionally sung at these celebrations and new pieces written specifically for the occasion.
The festival’s artistic director, Heli Jürgenson, says that although the audience won’t know all the songs -– especially those sung in dialects -– there will be many opportunities to sing along.
The main concert on Sunday will end with a song called “My Fatherland is My Love” –- a patriotic song Estonians spontaneously sang at the 1960 festival in protest against the Soviet regime. Every song celebration since 1965 has concluded with this anthem in what both performers and spectators describe as the highest emotional point of the whole event.
An emotional Jürgenson, who this year will conduct a combined choir of about 19,000 people singing it, said: “This is a very special moment.”
She believes that what drove the tradition more than 150 years ago still drives it today.
“There have been different turning points, there have been a lot of historical twists, but the need for singing, songs and people have remained the same,” she said. “There are certain songs that we always sing, that we want to sing. This is what keeps this tradition going for over 150 years.”
‘We forget our troubles’
Participants described the celebrations as being an important part of their national identity.
“Estonians are always getting through the hard times through songs, through songs and dances. If it’s hard, we sing together and that brings everything back together and then we forget our troubles,” singer Piret Jakobson said.
“It’s really good with all Estonian people to do the same thing,” said engineer Taavi Pentma, who took part in the dance performances. “So we are, like, breathing in one and the heart is beating (as one).”
Some 100 members of the European Choir of Estonians came to the Song Celebration this year from various corners of Europe. Among them is Kaja Kriis, who traveled from Germany, where she’s been living for the last 25 years.
“Estonia is my home,” she said, adding that it’s important for her “to be together with my friends, to keep my Estonian language, to maintain the Estonian language and Estonian culture.”
Lifestyle
Faith-based camps like those hit by Texas floods are rite of passage for many

Texas’ catastrophic flooding hit faith-based summer camps especially hard, and the heartbreak is sweeping across the country where similar camps mark a rite of passage and a crucial faith experience for millions of children and teens.
“Camp is such a unique experience that you just instantly empathize,” said Rachael Botting of the tragedy that struck Camp Mystic, the century-old all-girls Christian summer camp where at least 27 people were killed. A search was underway for more than 160 missing people in the area filled with youth camps as the overall death toll passed 100 on Tuesday.
Botting, a former Christian camp counselor, is a Wheaton College expert on the role camp plays in young people’s faith formation. “I do plan to send my boys to Christian summer camps. It is a nonnegotiable for us,” added the mother of three children under 4.
Generations of parents and children have felt the same about the approximately 3,000 faith-based summer camps across the country.
That is because for many campers, and young camp counselors, they are crucial independence milestones — the first time away from family or with a job away from home, said Robert Lubeznik-Warner, a University of Utah youth development researcher.
Experts say camps offer the opportunity to try skills and social situations for the first time while developing a stronger sense of self — and to do so in the safety of communities sharing the same values.
Camp rules: Do good and keep the faith
After the floodwaters rampaged through Camp Mystic, authorities and families have been combing through the wreckage strewed between the cabins and the riverbank.
On Sunday, a man there carried a wood sign similar to those seen hanging outside the door of several buildings. It read: “Do Good. Do No Harm. Keep Falling In Love With Jesus.”
For generations, these Texas campers have been challenged to master quintessential summer activities from crafts to swimming while also growing in spiritual practices. Campers and counselors shared devotionals after breakfast, before bed and on Sunday mornings along the banks of the Guadalupe River, according to Camp Mystic’s brochure and website. They sang songs, listened to Scripture and attended Bible studies, too.
How big of a role faith has in the camp experience varies, Botting said. There are Christian camps where even canoeing outings are discussed as metaphors for spiritual journeys, others that aim to insert more religious activities like reading the Bible into children’s routines, and some that simply seek to give people a chance to encounter Jesus.
The religious emphasis also varies at Jewish camps, which span traditions from Orthodox to Reform. Activities range from daily Torah readings to yoga, said Jamie Simon, who leads the Foundation for Jewish Camp. The group supports 300 camps across North America, with about 200,000 young people involved this summer alone.
What they all have in common is a focus on building self-esteem as well as positive Jewish communities and identities — all particularly important as many struggle with antisemitism as well as the loneliness and mental health barriers common across all youth, Simon said.
At Seneca Hills Bible Camp and Retreat Center in Pennsylvania, there is archery, basketball and volleyball for summer campers, but also daily chapel, listening to missionaries and taking part in Bible study or hearing a Bible story depending on their age, which ranges from 5 to 18-year-olds.
“There’s a whole host of activities, but really the focus for camp is building relationships with one another and encouraging the kids’ relationships with God,” said camp executive director Lindon Fowler.
For many, participating in the same summer camp is also a generational tradition. Children are sent to the same place as their parents and grandparents to be around people who share the same value system in ways they can’t often experience in their local communities.
A taste of faith, wilderness and independence for more than two centuries
Because of their emphasis on independence and spending time away from family, summer camps in general have been especially popular in North America, Lubeznik-Warner said.
In the United States, faith-based summer camps date back to two parallel movements in the 19th century — the revivalist religious gatherings in tents and the “fresh-air movement” after the industrial revolution — and boomed after World War II, Botting said.
Particularly since the COVID-19 pandemic lockdowns, as questions about children’s dependence on technology have surged, interest has grown in summer camps as “places where kids can really unplug, where kids can be kids,” Botting said.
Many parents like that camp can disconnect their children from their devices.
“We’re interested in campers hearing similar messages that they’re going to get at home or in their church or their faith communities,” Fowler said. He added: “I think they can hear … the meaning of things more clearly while they’re at camp” and away from distractions.
For Rob Ribbe, who teaches outdoors leadership at Wheaton College’s divinity school, all the elements of camp have biblical resonance.
“God uses times away, in community, often in creation … as a way to shape and form us, and help us to know him,” Ribbe said.
Summer camp challenges: Safety protocols and determination
There are faith-related challenges, too. As children explore their identities and establish bonds outside their families, many programs have been wrestling with how to strike a balance between holding on to their denominations’ teachings while remaining welcoming, especially on issues of gender and sexuality, Botting said.
Rising costs are also a pressing issue. Historically, camps have been particularly popular among middle to upper-income families who can afford fees in the thousands of dollars for residential camps.
And then there is safety — whether in terms of potential abuse, with many church denominations marred by recent scandals, or the inherent risks of the outdoors. In Texas’ case, controversy is mounting over preparedness and official alerts for the natural disaster.
Every summer, hundreds of thousands of parents trust Brad Barnett and his team to keep their children safe — physically and spiritually — at the dozens of summer camps run by Lifeway Christian Resources.
Barnett, director of camp ministry, said already his staff has shared personal connections to Camp Mystic: One staff member’s daughter was an alum; another’s went to the same day camp with a girl who died in the flood; and a former staff member taught at the high school of a counselor who died.
But the tragedy is also informing their work as they provide yet another week of Christian summer camp experiences for children across the country.
“That’s the punch in the gut for us,” he said. “We know that there’s an implicit promise that we’re going to keep your kid safe, and so to not be able to deliver on that and the loss of life, it’s just so tragic and felt by so many.”
Experts say camp staff are likely to double down on best practices to respond to emergencies and keep their campers safe in the aftermath of the Texas floods.
“It’s, truly, truly heartbreaking for the whole community of Christian camping,” said Gregg Hunter, president of Christian Camp and Conference Association, which serves about 850 member camps catering to about 7 million campers a year.
But the positive and often lifelong impacts on children’s confidence and faith identity are so powerful that many leaders expressed hope the tragedy wouldn’t discourage children from trying it.
“It’s where my life took a dramatic turn from being a young, obnoxious, rebellious teenager,” Hunter said. “My camp experience introduced me to so many things, including to my faith, an opportunity, an option to enter into a relationship with God.”
Simon, a former camper and camp leader, said she is happy her son is currently at camp — even though there is a river by it.
“I wouldn’t want him to be anywhere else,” she said.
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Associated Press writers Jim Vertuno and Holly Meyer contributed.
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Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
Lifestyle
Armani couture channels black as maestro misses Paris bow for 1st time, days from 91st birthday

PARIS (AP) — Armani Privé opened Tuesday under an unmistakable shadow. For the first time in the 20-year history of his couture house, Giorgio Armani was not present in Paris to take his bow.
Days from his 91st birthday and following doctors’ advice after a recent hospital stay, Armani reportedly oversaw the Paris couture week show remotely from home, a moment of absence that lands heavily for a designer who has shaped every one of his brand’s collections since its founding.
The show’s theme, “Seductive Black,” played out with literal and symbolic force on the runway: black in myriad forms, from liquid velvet and lacquered silk to pavé crystals and flashes of gold. Even the models’ makeup followed suit, rendered in shades of gray.
For some in the front row, the relentless palette felt pointed. Guests quietly wondered if the choice of black was a coded message from the maestro himself.
Armani missed Milan, too
This is not the first major show Armani has missed this season. Just weeks ago, he was forced to sit out Milan Fashion Week for the first time in the label’s history, following a brief hospitalization.
According to the brand, the absence was a precaution to save energy for his Paris couture appearance.
For decades, Armani — often referred to as “Re Giorgio,” or King George, in Italy — has been both the creative and business force behind one of fashion’s last great independent empires.
The Tuesday collection balanced tension and control. After an uncertain start, including velvet jodhpurs and stark crystalline seams, Armani’s familiar codes quickly emerged: tuxedo jackets transformed into evening gowns with plunging lapels and floating bow ties, tailored blazers worn on bare skin and military-inspired equestrian jackets paired with slim velvet pants.
Bursts of embroidery and colored feathers provided a balance from the monochrome.
A living fashion ma
estro
Armani’s recent absences have sent ripples through the industry. In a landscape dominated by conglomerates like LVMH and Kering, Armani remains the sole shareholder of his company, personally overseeing every collection for nearly 50 years. In 2024, Armani Group reported revenues of $2.5 billion, while Giorgio Armani’s personal fortune is estimated at $11–13 billion — even as the global luxury market faces headwinds.
Armani is widely credited with redefining men’s and women’s tailoring, pioneering gender-fluidity in fashion, and inventing celebrity red-carpet dressing, from Julia Roberts to Cate Blanchett. Yet the designer himself has acknowledged that age is now a reality to deal with and that pulling back could be a necessity.
Whether the monochrome collection was a deliberate metaphor or simply a showcase of discipline, “Seductive Black” felt personal — both a mood and a message, perhaps an understated nod to a master whose presence, even in absence, remains absolute. As the show closed, the final bow belonged to the models alone. But Armani’s vision — uncompromising and unmistakably his — filled the room.
Lifestyle
Stéphane Rolland’s Paris couture show is filled with space-age glamor

PARIS (AP) — Stéphane Rolland went back to what he does best on Tuesday: unadulterated couture. This season at Paris Couture Week, Rolland stripped away gimmicks and let the clothes do the talking, unveiling a dazzling palette of ivory, black, and red — with giant spangles shimmering like stardust or cosmic fish scales.
A live string orchestra set the mood as Rolland’s signature silhouettes reshaped the female form: mermaid gowns hugged the body, giant tulle trains trailed behind, and severe white dresses with razor-sharp shoulders brought a surreal, intergalactic edge. Space-age references ran throughout, from pointy shoulders to jewels worn as talismans — adorned on gowns or set on the forehead like interplanetary insignia.
It marked a confident return to classic Rolland after recent seasons experimenting with format and mood. Last year, Rolland broke with tradition, staging a collaborative, student-led show inspired by the serenity of the desert. But on Tuesday, the focus was undiluted couture, delivered with maximum impact.
A celebrity favorite — counting Kim Kardashian and Cardi B among his fans — Rolland is one of Paris fashion’s last couture independents. His trademark mix of sculptural tailoring, high drama, and Parisian mystique was on full display, proving that sometimes, the boldest move is simply perfecting your own signature.
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