Lifestyle
Issey Miyake showcases men’s collection at the Cartier Foundation

PARIS (AP) — As Paris wilted under a ruthless June sun, Issey Miyake sent out a battalion of intergalactic fashion soldiers who shimmered at the Cartier Foundation Thursday between art and menswear apparel in a spectacle where even the light was a player.
The late-morning sun bounced sharply off the art museum’s monumental steel pillars, forcing some guests to slide their seats to escape the dazzling reflections — an impromptu game of musical chairs set to a pulsing, kinetic soundtrack.
This Paris Fashion Week season finds the Miyake house amid transition. In January, Paris bid adieu to Homme Plissé — Miyake’s pleated cult favorite that had anchored the city’s menswear calendar since the last decade — as the brand shifted its focus to nomadic shows, most recently appearing under the Tuscan sun.
The torch in Paris has now been passed to IM Men, the last line personally conceived by iconic designer Issey Miyake before his death in 2022.
A kinetic dance of light and fabric
IM Men returned under the direction of designers Sen Kawahara, Yuki Itakura, and Nobutaka Kobayashi. The theme, “Dancing Texture,” nodded to the ceramic artistry of Shoji Kamoda, but also to the surreal choreography on display. Models appeared to roll, tilt, and swing through the light, their movements somewhere between ballet and a slow-motion video game. Occasionally, a guest would squint, unsure if they were watching a runway show or a heat-induced hallucination.
The crowd — equal parts Parisian cool, visiting editors, and those for whom a pleated culotte is a spiritual calling — dodged the sun’s glare and fanned themselves in the heat, shifting for both comfort and the best sightline. The first model glided out in a mad, angular hat, setting the tone for a parade of tin man-meets-space ninja silhouettes designed for dance floors or distant planets.
The clothes themselves looked as if they had been engineered for a new climate — or perhaps a new species. Surfaces peeled, rippled, and shimmered, metallic foils flashed against the sun, and jacquard weaves evoked the carved waves of Kamoda’s ceramics. Vermilion and white motifs burst forth alongside a near-neon green, courtesy of upcycled fishing nets. A coat unzipped into a dramatic collar while some blousons and pants, when laid flat, formed perfect circles — a wink at Kamoda’s wheel-thrown plates.
Miyake’s restless legacy, risk and reinvention
Miyake loomed large over the collection, his vision unmistakable in every engineered pleat and playful transformation. Even in his absence, his legacy is alive in every joke, fold, and jolt of surprise on the runway.
Born in Hiroshima in 1938, Miyake rose from postwar Japan to become a global force, transforming fashion in the 1980s and ’90s with his radical, sculptural vision. He pioneered heat-set pleating and created lines like Pleats Please and A-POC that blurred the boundaries between art, science, and daily life. Miyake’s designs liberated fabric, allowing it to move with the body and imagination alike.
Of course, the fashion house’s embrace of the avant-garde still courts danger. Thursday’s spectacle occasionally veered into excess, with kinetic art and sci-fi headgear that threatened to upstage the clothes themselves — a familiar Miyake risk. But the best moments, like a pared-back tangerine overcoat that floated past, proved restraint can sometimes steal the show.
Lifestyle
These flavor-packed pork burgers were inspired by Indian street food

These flavor-packed burgers are a spin on a spiced pork sausage from Goa in southern India, based on the garlicky, European-style chouriço introduced by Portuguese settlers. To combat the humidity of the region and prolong the shelf life of the sausage, the meat is heavily salted and flavored with a mixture of spices and tangy vinegar.
Goan sausage is ubiquitous in southern India, where you can find it sold at street food carts and high-end restaurants alike, sometimes baked into a bun or minced and stuffed between layers of fried naan.
In this recipe from our cookbook “ Milk Street 365: The All-Purpose Cookbook for Every Day of the Year,” we take inspiration from those burger-like sandwiches, using a combination of grated garlic, garam masala, cumin, paprika and cayenne to give the all-pork patties deep, complex flavor and a rusty hue. Grating the garlic ensures it melts into the meat without any distracting bits. Instead of naan, we use classic hamburger buns.
Egg and panko bread crumbs help the patties keep their shape. Don’t undermix the pork mixture; be sure to combine it well so the breadcrumbs and seasonings are evenly distributed.
These burgers are especially delicious topped with yogurt, torn fresh mint leaves and thin slices of cucumber or tomato.
Start to finish: 35 minutes
Servings: 4
Ingredients:
⅔ cup panko breadcrumbs
¼ cup plain whole-milk yogurt, plus more to serve
5 teaspoons garam masala
5 teaspoons sweet paprika
1 tablespoon ground cumin
½ teaspoon cayenne pepper
2 large egg yolks
2 medium garlic cloves, finely grated
Kosher salt and ground black pepper
1 pound ground pork
2 tablespoons grapeseed or other neutral oil
4 hamburger buns, toasted
Directions:
In a large bowl, combine the panko, yogurt, garam masala, paprika, cumin, cayenne, egg yolks, garlic, ¾ teaspoon salt, ½ teaspoon pepper and ¼ cup water. Using a fork, mash the mixture into a smooth paste. Add the pork and mix with your hands until evenly combined. Form into 4 patties, each about 4 inches in diameter, place on a large plate and refrigerate for 15 minutes.
In a 12-inch nonstick skillet over medium, heat the oil until barely smoking. Add the burgers and cook until well browned, 7 to 8 minutes. Flip, reduce to medium-low and continue to cook until the patties are well browned on the second sides and the centers reach 160°F, another 5 to 7 minutes. Transfer to a clean plate, tent with foil and let rest for 5 minutes. Serve on the buns with additional yogurt on the side.
EDITOR’S NOTE: For more recipes, go to Christopher Kimball’s Milk Street at 177milkstreet.com/ap
Lifestyle
Fashion designers experiment with natural supplies called biomaterials

NEW YORK (AP) — At her kitchen stove, fashion designer Caroline Zimbalist looks like an alchemist at work as she stirs a pot full of corn starch and a thickener made from seaweed. The peppermint-scented mixture glitters as she carefully pours it into silicone molds of hearts and leaves.
When the material hardens, Zimbalist will stitch it into unique, made-to-order dresses that she sells on her website. She hopes her designs, which have been worn by celebrities including Chappell Roan, will put a spotlight on materials that aren’t sourced from planet-polluting fossil fuels, such as oil.
“It’s almost like a vessel to show the world,” she said.
Other small-scale designers are testing out tapioca, gelatin and other kitchen-shelf ingredients. Meanwhile, big names such as Adidas and Hermes have experimented with mushroom leather, while the Lycra brand is incorporating a new largely corn-based material into stretch fabric. Some experts are skeptical that these textiles — commonly referred to as biomaterials — will go mainstream, but designers such as Zimbalist hope their experiments will set an example for larger brands to follow.
Over 60% of clothing comes from petroleum-based synthetics like polyester, according to Textile Exchange, a nonprofit that promotes sustainable fashion. Manufacturing those materials creates emissions. Synthetic garments can also shed microplastics during washing. And as fast-fashion brands pump out new clothes for customers who expect new designs every few weeks, many garments end up in landfills.
A piece by fashion designer Caroline Zimbalist is displayed on Friday, June 6, 2025, in the Queens borough of New York. (AP Photo/Mary Conlon)
Zimbalist’s designs gained attention in 2024 when Roan wore one on “The Tonight Show.” The New York-based designer has since dressed stars such as comedian Atsuko Okatsuka and actors Anna Lore and Reneé Rapp. She takes commissions for custom clothing pieces, which cost between $150 and $1,200, via her website, which notes her “unique recipe of biodegradable and natural materials.”
As to whether her approach could be reproduced at a larger scale, Zimbalist says her materials could most practically be used to replace plastic hardware such as buttons and zippers. She acknowledges they can be sticky if not dried correctly, stinky if not treated and melty if exposed to extreme heat.
“Even incorporating it in small ways to start would be really strong,” she said.
Why biomaterials are hard to find
Fossil-fuel derived fabrics are ubiquitous because they’re cheap and made from plentiful raw materials, said Dale Rogers, an Arizona State University professor who studies supply chains.
Many clothes are also made of materials that come from plants or animals such as cotton, silk, wool and cashmere. But some have environmental impacts. Cotton uses a lot of water. Sheep and goats burp out methane.
Some biomaterials have gotten closer to widespread use. Mycelium leather, made from mushrooms, has been used to create luxury shoes, accessories and handbags by brands such as Stella McCartney, Lululemon, Adidas and Hermes.
Still, Rogers said he’s not convinced there’s enough demand for alternative materials to overcome companies’ aversion to the higher costs of producing them at a large scale.
“Honestly, in the end, cost drives almost all decisions,” he said.
Wrinkles in aiming for sustainability
Getting larger companies to use alternative materials depends on whether they will pay more for a fabric that matches their values, said Jon Veldhouse, the CEO of Qore LLC.
His company makes a product called Qira that replaces about 70% of the fossil-derived components of elastic synthetic fabrics with a corn-based material. The Lycra Company, which sells its stretchy material to major brands, initially expects to incorporate Qira in around 25 percent of its Spandex business, said Lycra chief brand and innovation officer Steve Stewart. But that option will be more expensive, and they haven’t yet announced any takers.
It can also be hard to measure the sustainability of farming practices that go into producing raw materials for new fabrics. Cargill is Qore’s partner and corn supplier, and it gets its grain from farmers in the vicinity of their processing plant. Veldhouse said many already plant cover crops or reduce tilling to lower environmental impact, but he couldn’t provide data on how many use those approaches.
Sarah Needham, a senior director at Textile Exchange, said it’s great to see a large organization such as Lycra making its production systems more sustainable. But she also stressed the industry needs to reduce its overreliance on virgin materials, perhaps considering agricultural waste as a source of fabric.
The role of experimental designers
Needham said experimental designers are often the ones coming up with those alternatives to virgin materials and building appetite for new approaches.
But small designers might not have the resources to test the biodegradability of their materials, which often do involve processing, even if it’s by hand, said Ramani Narayan, an engineering professor at Michigan State University.
“If I take something — like seaweed or whatever it is — and I apply a process to it, then I can no longer call it natural,” he said.
Zimbalist, the New York designer, acknowledges that her materials aren’t ready to replace conventional fabrics and that her work is more of “a piece that leads to larger conversations.”
Rogers, of Arizona State, thinks the fashion industry is a long way from meaningful change, but that “it’s incredibly valuable” for artists and specialty manufacturers to try new materials.
“What they’re doing is likely to have long-term benefit, maybe even after their lifetimes,” he added.
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Follow Melina Walling on X @MelinaWalling and Bluesky @melinawalling.bsky.social.
Follow Kiki Sideris on X @KikiSideris.
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The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.
Lifestyle
Most teens see college as key to jobs and life skills, AP-NORC poll says

PHOENIX (AP) — Most American teenagers say it is important to them to graduate from college, with girls especially describing it as a key step for accomplishing their life goals, according to a new poll.
Teenagers also generally are more upbeat than adults on college despite concerns about tuition costs, soaring student loan debt and the politicization of many issues in higher education.
Overall, about 6 in 10 teens say it’s “extremely” or “very” important to them to graduate from college, according to the survey from The Associated Press-NORC Center for Public Affairs Research, which was conducted this spring among teenagers between the ages of 13 and 17. That compares with about 4 in 10 adults who said the same in a UChicago Harris/AP-NORC poll from 2022.
The survey also found that many teens think it will be harder for them to achieve major life milestones — like owning a home, raising a family or reaching a good standard of living — than it was for their parents.
For Ry-n Uyeda, 17, the biggest concern about college is the prospect of being away from her home in Waianae, Hawaii. Uyeda is already taking college-level courses in high school and hopes to play softball at a university on the West Coast.
Uyeda said she wants to develop time management skills and endurance to handle the pressures of being a student-athlete. But she hopes the college experience does not change who she is.
“I want to remember where I came from and the values that I’ve learned from here,” said Uyeda, who attends Waianae High School. “Going to a new place with new people in a new environment, I just want to still be myself.”
Far more girls than boys see value in college
Seven in 10 teenage girls in the survey said it was at least “very” important to them to graduate from college, compared with 54% of teenage boys.
The disparity reflects a growing gender gap in college degree completion. In 1995, young men and women were equally likely to hold a bachelor’s degree. Since then, a gap has emerged, with 47% of U.S. women ages 25-34 completing a bachelor’s degree compared with 37% of men, according to a Pew Research Center analysis of census data.
Teens raised in households with higher incomes and parents who went to college themselves also are more likely to view higher education as important.
Jalena Crawford, a 16-year-old high school junior, said she hopes to attend Grand Canyon University or Arizona State University to become a professional American Sign Language interpreter. She said her plans have been encouraged by relatives with college degrees and it would be “weird” not to consider higher education.
“I didn’t really start thinking about college until I started liking ASL. I was trying to figure out what I was going to do,” Crawford said.
Most teens see a college education as a vital step for their future career prospects, although they see other benefits as well.
About 7 in 10 teenagers said completing college is “extremely” or “very” important for getting good jobs, and about 6 in 10 teenagers say a degree is valuable in learning necessary life skills. About half of teens see college as key for either becoming a more informed member of society or forming their personal identity, according to the survey.
Teens think life milestones will be harder for them to achieve
Teenagers have many of the same life goals as adults, such as owning a home and raising a family, the poll found. About 8 in 10 teenagers value being able to pursue what they enjoy, having a good standard of living and having a successful career.
But few teenagers believe those goals have gotten easier to achieve for their generation compared with their parents.
About 7 in 10 teenagers believe owning a home has become harder to achieve for them compared with their parents, according to the poll. Just over half of teenagers say it’s become more challenging for their generation to raise a family. About half say that about having a good standard of living, having a successful career or traveling the world. Fewer, about 4 in 10, say it’s grown harder to graduate from college or be able to pursue what they enjoy.
Evarist Bego, 22, graduated earlier this year from the University of Southern California with a joint degree in business and film. He said he recalls wanting to go to college and then work his way up in his chosen industry but “that’s just not how it works anymore.”
It’s harder than he anticipated to find a job, which he said may owe partly to the creative industry he chose. He sees mostly temporary positions, like internships or fellowships.
“So many jobs that I see are entry-level, but then they require three-plus years of experience. I have interned in school, I had some experience, but it’s not enough,” he said.
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Sanders reported from Washington.
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The Associated Press’ education coverage receives financial support from multiple private foundations. The AP is solely responsible for all content. Find the AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.
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The AP-NORC poll of 1,060 teens ages 13-17 was conducted April 30-May 14, using a sample drawn from NORC’s probability-based AmeriSpeak Panel Teen Panel, which is designed to be representative of teenagers in the U.S., and interviews from opt-in online panels. The margin of sampling error for teens overall is plus or minus 4.2 percentage points.
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