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Proposed designs for Queen Elizabeth II’s London memorial unveiled

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A pair of gently curved bridges, a bronze oak tree and a lily pad-inspired walkway are among the standout features of five shortlisted designs for Queen Elizabeth II’s official memorial site in central London.

The national memorial will be built in St. James’s Park, near Buckingham Palace in the heart of the British capital.

The finalists, unveiled Wednesday, include some of the UK’s most prominent architecture firms, including Foster + Partners, which designed London’s City Hall and 30 St. Mary Axe (known as The Gherkin), and Heatherwick Studios, the firm behind New York City’s Vessel structure.

A panel from The Queen Elizabeth Memorial Committee, which was jointly established by the British government and Royal Household, will announce a winning proposal this summer, according to a press release. The memorial is expected to be unveiled in 2026, marking what would have been the late Queen’s centenary.

Tom Stuart-Smith envisaged an oak tree cast in bronze and a

The design brief asked for “an emotionally powerful place” that celebrates Elizabeth II’s “extraordinary life of service,” while providing the public with a space for reflection.

“She was part of our national identity and helped to define our values, she gave us a sense of continuity through times of great change, she was integral to recognizing achievement and she exemplified service and duty, strengthened by faith and leavened by pragmatism, optimism and humor,” said committee chair Lord Janvrin, the late Queen’s former private secretary, in the press release.

“The masterplan design needs to seek inspiration from all this,” he added. “The memorial must be — simply — a beautiful place, a place to visit with friends, a place to gather, to enjoy, and to reflect on an extraordinary life.”

The public can view the finalists’ designs as part of an online exhibition and can provide feedback until May 19.

A stone bridge at the heart of landscape architects J&L Gibbons's proposal.

To honor Britain’s longest-reigning monarch, Heatherwick Studio proposed an entry with a lily-themed bridge at its heart (pictured top). In a video introducing the design, the firm’s founder Thomas Heatherwick said Elizabeth II’s values of “togetherness and unity” led his team to conceptualize a “Bridge of Togetherness” that would serve as a gathering place in the park.

The design features a sculpture of the late monarch protected by a canopy of “sculptural lilies” at the center of a limestone bridge. The proposal also includes a pathway of 70 limestone “lily pads” signifying the Queen’s 70-year reign, as well as plants that held significance for her.

“Like her legacy, it is quietly monumental,” reads the firm’s entry. “A memorial grown from the landscape, open to people throughout the world from every walk of life.”

Another design looking to themes of harmony was proposed by Foster + Partners, which was inspired by British architect John Nash’s 1820s remodeling of St. James’s Park.

Foster + Partners' design features an equestrian statue on a tree-lined avenue.

The design consists of gardens connected by a network of meandering paths and linked by a “Unity Bridge” symbolizing the Queen as “a powerful force for bringing together people, nations, charities, the Commonwealth, and the Armed Forces,” the firm’s founder, architect Norman Foster, said in a video entry. The pathways will feature Elizabeth II’s words, both as audio installations and inscriptions on the path, including a quote from her 1953 coronation speech: “Throughout all my life and with all my heart I shall strive to be worthy of your trust.”

Proposed sculptures include new figurative statues of the Queen and Prince Philip, as well as a “Wind Sculpture” designed by the British artist Yinka Shonibare, intended to serve as a place of “reflection and shared experience.”

The proposal from landscape architecture studio J&L Gibbons centers on a vision of the late Queen as “the nation’s bedrock” by incorporating a bridge made of literal bedrock. Its layout also “invites forest bathing” in a series of glades surrounded by trees. In its proposal video, the firm said its design represents a quote from the Queen’s 1966 Christmas broadcast, in which she spoke to breathing “gentleness and care into the harsh progress of mankind.”

Also borrowing from nature is landscape architect Tom Stuart-Smith, whose proposal incorporates a replica of a centuries-old oak tree from Windsor Great Park, once the private hunting grounds of the late Queen’s former residence, Windsor Castle.

Stuart-Smith’s team would digitally scan the tree before casting it as a full-size bronze sculpture. Called “The Queen’s Oak” and situated beside a gently curved bridge, the sculpture would be the centerpiece of the site, its lacquered leaves appearing like a “golden mirage reflected in the lake” at night, according to the firm’s entry.

Other features include bronze casts of flowers from various Commonwealth countries, as well as a “sonic soundscape” playing recorded memories from people whose lives were impacted by Elizabeth II.

Architecture firm WilkinsonEyre's proposal features a pair of bridges spanning St James's Park Lake.

To create a contemplative experience, architecture firm WilkinsonEyre, which recently restored London’s Battersea Power Station, proposed pathways with “threads” symbolizing the Queen’s life. Visitors can follow each of the threads, which are built around seven themes, including family, nature and the Commonwealth, representing her seven decades of service.

A pair of bridges, set on two different levels, would give visitors views of the park, royal palaces and the London skyline.



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Incredible images showcase scientists at work

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A biologist tracking whales in the Norwegian fjords, a vast telescope pictured below breathtaking skies and a scientist holding tiny froglets all feature in the top images from this year’s Nature Scientist at Work competition.

Six winners were selected from the more than 200 entries submitted to the competition, which showcases the diverse, fascinating and challenging work that scientists carry out all over the world. Now in its sixth year, the contest is judged by a jury made up of staff from the journal Nature, which runs the competition.

The overall winning image was taken by Emma Vogel, a PhD student at the University of Tromsø. It features biologist Audun Rikardsen scanning the water around fishing trawlers in northern Norway for whales while holding an airgun, which he uses to deploy tags that track the marine animals.

“You could smell their breath,” Vogel said of the whales in a competition press release Tuesday. “And you could hear them before you can see them, which is always quite incredible.”

The winning images show scientists in cold and warmer climates. One features researchers boring an ice core in the archipelago of Svalbard, while another shows a biologist holding tiny froglets in California’s Lassen National Forest.

A scientist is pictured next to a weather balloon in the fog on Mount Helmos in Greece in a separate image, while another shows the vast South Pole Telescope at the Amundsen–Scott South Pole station lit by an aurora overhead.

The final winning picture shows the silhouette of a man entering a cabin against the dark backdrop of a starlit sky in eastern Siberia. His colleague, photographer Jiayi Wang, said that, while the remote location where they worked can be beautiful, long periods of time spent there can also be tedious. “There’s no network there. And the only thing you can do is watch the rocks,” he said in the press release.



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47 million-year-old bug is the oldest singing cicada fossil from Europe

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Pressed into a piece of rock is the flattened, 47 million-year-old body of a cicada. Measuring about 1 inch (26.5 millimeters) long with a wingspan of 2.7 inches (68.2 millimeters), its fossilized form is nearly intact, with its veined wings spread wide.

Scientists recently described the insect as a new genus and species, using this fossil and one other that was nearly as well preserved, from the same site. Even though the specimens are female, their location on the cicada family tree suggests that males of this species could sing as modern cicadas do. Found in Germany decades ago, their presence there reveals that singing cicadas dispersed in Europe millions of years earlier than once thought.

The fossils are also the oldest examples of “true” singing cicadas in the family Cicadidae, researchers reported April 29 in the journal Scientific Reports. Most modern cicadas belong to this family, including annual cicadas that appear every summer worldwide, as well as broods of black-bodied and red-eyed periodical cicadas, which emerge from May to June in eastern North America in cycles of 13 or 17 years. Brood XIV, one of the biggest broods, emerges across a dozen US states this year. Cicadas are found on every continent except Antarctica, and there are more than 3,000 species.

The fossil record for insects in general is abundant in just a few dozen locations, and while modern cicada species are numerous today, paleontologists have documented only 44 Cicadidae fossils. The earliest definitive fossil of a singing cicada was discovered in Montana and dates from 59 million to 56 million years ago, said lead study author Dr. Hui Jiang, a paleontologist and researcher with the Bonn Institute of Organismic Biology at the University of Bonn in Germany. Its newly described relative is the earliest singing cicada from Europe, Jiang told CNN in an email.

Because the body structures of the European fossils were so well preserved, scientists were able to assign the ancient insect to a modern tribe of cicadas called Platypleurini, “which is today primarily distributed in tropical and subtropical regions of sub-Saharan Africa and Asia, but is absent from Europe,” Jiang said.

Prior research suggested that this lineage evolved in Africa about 30 million to 25 million years ago and dispersed from there, according to Jiang. “This fossil pushes back the known fossil record of sound-producing cicadas in the tribe Platypleurini by approximately 20 million years, indicating that the diversification of this group occurred much earlier than previously recognized,” the researcher added.

The discovery hints that this group of cicadas evolved more slowly than prior estimates from molecular data proposed, said Dr. Conrad Labandeira, a senior research geologist and curator of fossil arthropods at the Smithsonian Museum of Natural History in Washington, DC.

“This suggests that older fossils of the Platypleurini are yet to be discovered,” said Labandeira, who was not involved in the research. “Such discoveries would assist in providing better calibrations for determining a more realistic evolutionary rate.”

This reconstruction shows the newly described cicada species Eoplatypleura messelensis.

Researchers named the cicada Eoplatypleura messelensis. Its name refers to where the specimens were discovered: the Messel Pit in Germany, a rich fossil site dating to the Eocene epoch (57 million to 36 million years ago). Excavated in the 1980s, the fossils have since been in the collection of the Senckenberg Research Institute and Natural History Museum Frankfurt in Germany, said senior study author Dr. Sonja Wedmann, head of Senckenberg’s paleoentomology department.

A very deep volcanic lake, with a bottom where no oxygen penetrated, once filled the Messel Pit. That environment created ideal conditions for fossilization, and fine-grain sediments from this former lake bed hold a variety of Eocene life, Wedmann told CNN in an email.

“The excellent preservation not only of insects, but of all groups of organisms, is the reason why Messel is an UNESCO world heritage site,” a designation it earned in 1995, Wedmann said.

The more complete of the two cicada fossils “is one of the best preserved insects from the Messel pit fossil site,” Wedmann added. “Senckenberg has a collection of over 20,000 fossil insects from Messel, and among these it stands out because of its really beautiful and complete preservation.”

In its overall head and body shape, E. messelensis strongly resembles modern cicadas. Its rostrum — a snoutlike mouth — is intact, but closer analysis is needed to tell whether it used the rostrum for feeding on plant tissues called xylem, as most modern cicadas do, Labandeira said.

E. messelensis also shows hints of colors and patterns in its wings. This feature camouflages modern cicadas as they cling to tree trunks, and it may have served a similar purpose for E. messelensis, according to Jiang.

However, E. messelensis differs from modern cicadas in subtle ways. For example, its forewings are broader and less elongated than those of species alive today, which may have affected how it flew.

Would the ancient cicada’s call have sounded like those of its modern relatives? “We can’t know the exact song,” Jiang said. However, based on the cicada’s body shape and placement in the singing cicada group, “it likely produced sounds similar in function to modern cicadas.”

When Brood XIV emerges in the billions in the late spring and early summer of 2025, their calls will measure from 90 to 100 decibels — as loud as a subway train. Other types of cicadas produce an even bigger ruckus: Songs of the African cicada Brevisana brevis peak at nearly 107 decibels, about as loud as a jet taking off.

The volume of the ancient species’ songs may have been even louder than that, Jiang said. The abdomen of E. messelensis is broader and larger than those of its modern relatives, suggesting that males could have had a larger resonating cavity. This cavity may have amplified sound from the vibrating structures in their abdomens, called tymbals, to produce a louder buzz.

“Of course, this is only a hypothesis,” Jiang added. “Future studies on how morphology relates to sound production in modern cicadas will help to test it.”

Mindy Weisberger is a science writer and media producer whose work has appeared in Live Science, Scientific American and How It Works magazine.



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Keir Starmer: UK police arrest man after fire at UK PM’s house

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CNN
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British police said on Tuesday they had arrested a 21-year-old man on suspicion of arson after counter-terrorism officers launched an investigation into three fires, including one at Prime Minister Keir Starmer’s private home.

Police were called to reports of a fire in the early hours of Monday morning at the property in Kentish Town in north London, the area that Starmer represents in parliament.

Nobody was injured but damage was caused to the property’s entrance, police said.

The man was arrested in the early hours of Tuesday on suspicion of arson with intent to endanger life in connection with the fire and two further incidents, police said. He remains in custody, they added.

Police are investigating whether a fire at the entrance of a property in nearby Islington on Sunday and a vehicle fire in Kentish Town on Thursday are linked to the incident on Monday.

A BBC report said the Islington property was also connected to the prime minister.

Starmer lived in the terraced house on a back street with his wife and two children before he moved into Number 10 Downing Street when he became prime minister last July.

Officers from London’s Metropolitan Police Counter Terrorism Command were leading the investigation due to the property’s connections with a high-profile public figure, police said.

His spokesperson thanked the emergency services for their work on Monday.



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