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Fluttering arms, aching calves, bursting lungs: ‘Swan Lake’ is a ballerina’s Mount Everest

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NEW YORK (AP) — Rehearsing “Swan Lake” a few weeks ago in a sweaty studio, trying to iron out some last-minute kinks, ballerina Unity Phelan stopped just before launching into the famed 32 fouettés — those crowd-pleasing whiplash turns on one leg performed by Odile, the devious Black Swan.

“No fouettés today — save them for tonight,” directed Phelan’s coach at New York City Ballet, Kathleen Tracey. Dancer and coach agreed: preserving Phelan’s precious leg muscles took priority over rehearsing the fiendishly difficult move.

Phelan was a few hours away from performing the dual role of Odette and Odile for the second time, four days after her debut. It’s a goal she’d had since childhood. Achieving it at age 30 was a bucket-list moment like no other — witnessed by friends, family, “all of New Jersey” (her home state) and a few thousand others.

It was also probably the most physically challenging feat of her career.

Many across the world know “Swan Lake,” the most iconic of all ballets. Far fewer know just how hard the main ballerina role is to perform. As graceful and ephemeral as it appears, Odette-Odile is a dancer’s Mount Everest, requiring stellar technique, prodigious training, uncommon stamina, emotional resilience — and even carbo-loading.

The ballerina dances virtually nonstop for 2 ½ hours, with a quick intermission for refueling. The toughest part comes toward the end — when she’s most tired, of course — with trickster Odile unleashing a dazzling display as she misleads the prince in a tragedy of mistaken identity. Even before she gets to the dastardly fouettés — the word means “whipped” in French — the dancer has to huff and puff just to make the entrance.

There’s “hardly enough time to get to the back wing, and then you’re back out,” Phelan explains. “You’re so exhausted and you have to run back out and keep going.” So exhausted that at dress rehearsal, she remarked to another dancer as she raced to her entrance: “Man, I’m questioning all my life choices right now!”

She was kidding, of course. Phelan was one of three lucky NYCB ballerinas tapped to debut the role this past season, a new generation of swan queens discovering the ecstasy and the agony in one of ballet’s toughest gigs.

You can’t give up on yourself

For Mira Nadon, swan queen glory has arrived early, at 23. The fast-rising ballet star became a principal dancer in 2023, the first Asian American female principal in the company. Her wunderkind reputation was only enhanced with her debut as Odette-Odile this season, which had many in the audience marveling at her technique and artistry.

Nadon, like Phelan, says the role was always her dream — not that she thought it would come so soon.

“Of all the full-length ballets,” Nadon said in an interview, “this is the one that I most identify with, and really hoped to get to do one day.”

Even in the rarefied air of being a principal at a top company, it’s not a given that you get to dance a role like this. NYCB ballerina Sara Mearns famously got the part at 19, when she was still in the corps de ballet, and continued to dance it this season, along with fellow longtime star Tiler Peck. But many never get the chance. The last time the company ran its full-length “Swan Lake, choreographed by Peter Martins, was five years ago, just before the outbreak of the coronavirus pandemic. A later run was canceled due to COVID-19 concerns.

Unity Phelan rehearses for her role as Swan Queen in New York City Ballet's Swan Lake, Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Unity Phelan rehearses for her role as Swan Queen (AP Photo/Julia Demaree Nikhinson)

Unity Phelan rehearses for her role as Swan Queen (AP Photo/Julia Demaree Nikhinson)

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A person walks past a poster for New York City Ballet's "Swan Lake" outside Lincoln Center, Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

A person walks past a poster for New York City Ballet’s “Swan Lake” outside Lincoln Center (AP Photo/Julia Demaree Nikhinson)

A person walks past a poster for New York City Ballet’s “Swan Lake” outside Lincoln Center (AP Photo/Julia Demaree Nikhinson)

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Cars drive past Lincoln Center, Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Cars drive past Lincoln Center (AP Photo/Julia Demaree Nikhinson)

Cars drive past Lincoln Center (AP Photo/Julia Demaree Nikhinson)

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So Nadon was thrilled when she was told in the fall that she’d be donning the swan feathers. During the busy “Nutcracker” run over the holidays, she began working with her coach, Rebecca Krohn, to learn the steps and “have them settle into my body.” It is that muscle memory, dancers say, that often saves them when things are tough. And like any athlete, Nadon spent the season building up stamina so that it would be at peak form for “Swan Lake.”

Even so, the role was a challenge.

“You have to accept that you will be tired, and you just have to push through it and trust yourself,” she says. “Because when you have something that is so taxing, it’s a little bit mental. You can’t give up on yourself. You have to really believe that you can do it.”

Your mind wants you to stop

It was that very self-belief that Miriam Miller says she had to fight for.

“I kind of thought it was off the table, like I wasn’t really going down that route,” says Miller, 28, who became a principal just weeks before her “Swan Lake” debut. She said she never saw herself as a great turner, or able to master some of the Black Swan’s tricky footwork.

“It has every single ballet step in the book,” Miller says of the iconic ballet. “In White Swan, it’s so delicate and we strive to be perfectly placed and thoughtful about all the in-between steps … so that takes a different effort,” she says. “Then you have 25 minutes (for intermission), you have to do a quick change, you have to change your shoes, you have to eat, you have to just kind of reset.”

And that’s just the physical part.

“It takes a lot of mental strength and self-awareness,” Miller adds. “You’re fully depleting yourself in every single way.”

A pin on Unity Phelan's bag is pictured during a rehearsal for Phelan's role as Swan Queen in New York City Ballet's "Swan Lake," Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

A pin on Unity Phelan’s bag is pictured during a rehearsal (AP Photo/Julia Demaree Nikhinson)

A pin on Unity Phelan’s bag is pictured during a rehearsal (AP Photo/Julia Demaree Nikhinson)

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Somehow, she triumphed over her own doubts, and sounded exhilarated the morning after her debut, despite the throbbing muscles.

“It’s hard sometimes to go out onstage and not let your mind take over,” Miller says. “Our bodies are inherently lazy and our mind is also lazy, and so it wants to tell you. ‘Stop, you’re exhausted, just give up.’ If there is something I’m proud about, it’s that I didn’t let those thoughts interfere with the performance.”

Carbo-loading, electrolytes, bananas and protein bars

Miller laughs when hearing the anecdote that actor Natalie Portman, prepping for her “Black Swan” movie role, subsisted on carrots and almonds to get in ballerina shape.

In real life, dancing that role without serious fueling? “She would have been dead on the floor,” Miller said.

To fuel her own body, Miller carbo-loaded like a marathoner and took electrolytes and energy supplements ahead of the performance. During the show itself, she snacked on a peanut butter protein bar and a banana. For Nadon, it was a sandwich beforehand, then electrolytes, yogurt and a banana during intermission.

For Phelan, it was half a banana during the break, plus packing in carbs and protein the day before and remembering to eat well on performance day, a marathon that began with morning class and then rehearsal, attended as always by her cavalier King Charles spaniel, Pippin.

Repertory Director Kathleen Tracey, left, watches Joseph Gordon and Unity Phelan, right, rehearse for New York City Ballet's "Swan Lake," Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Repertory Director Kathleen Tracey watches Joseph Gordon and Unity Phelan rehearse (AP Photo/Julia Demaree Nikhinson)

Repertory Director Kathleen Tracey watches Joseph Gordon and Unity Phelan rehearse (AP Photo/Julia Demaree Nikhinson)

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Unity Phelan pets her dog, Pippin, after a rehearsal for her role as Swan Queen in New York City Ballet's "Swan Lake," Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Unity Phelan pets her dog, Pippin, after a rehearsal (AP Photo/Julia Demaree Nikhinson)

Unity Phelan pets her dog, Pippin, after a rehearsal (AP Photo/Julia Demaree Nikhinson)

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Unity Phelan and dog Pippin leave after a rehearsal for Phelan's role as Swan Queen in New York City Ballet's "Swan Lake," Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Unity Phelan and dog Pippin leave after a rehearsal (AP Photo/Julia Demaree Nikhinson)

Unity Phelan and dog Pippin leave after a rehearsal (AP Photo/Julia Demaree Nikhinson)

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Unity Phelan, center, and Joseph Gordon, left, rehearse for New York City Ballet's "Swan Lake," Tuesday, Feb. 25, 2025, in New York. (AP Photo/Julia Demaree Nikhinson)

Unity Phelan and Joseph Gordon rehearse (AP Photo/Julia Demaree Nikhinson)

Unity Phelan and Joseph Gordon rehearse (AP Photo/Julia Demaree Nikhinson)

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“You’re nervous, so you’re not very hungry,” Phelan says. “But you have to make sure you eat because otherwise, you won’t have anything in you to help.”

Whatever they ate, it worked. Now, they’re left with memories like the moment the lights went up during curtain calls and Phelan could finally make out some faces.

“It was completely full, people were standing and I was hit with a wave of, ‘Oh my God, there were 2,500 people watching this! And they liked it.’”

And they’re left with something else, too. Aches, everywhere.

“I’ve definitely never been this exhausted after a show,” quips Miller.



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How to avoid heat-related illnesses if you want to play sports or exercise in extreme heat

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Extreme heat makes it especially hard for your body to cool down, so you need to be extra careful if you exercise or play sports when it’s baking outside.

Your brain tries to keep your body within a degree or two of 98.6 degrees Fahrenheit (37 degrees Celsius), and it does so in part by triggering sweat. When sweat dries, it carries away heat from your body’s surface.

When sweat can’t do its job — because your body is generating a lot of heat or it’s too hot and humid to cool down — you are at risk of becoming dehydrated or even getting a heat-related illness such as heat exhaustion or heat stroke.

When heat is dangerous — and why humidity matters

The higher the temperature, the harder it is for the body to stay cool, but humidity plays a big role too. High humidity makes it feel hotter than the temperature because it makes sweating less effective. There’s so much water in the air already that it can’t take up much more — including the water in your sweat.

The heat index, which factors in humidity and is included on many weather forecasts, provides a sense of how hot it really feels — and what’s dangerous for prolonged exposure or strenuous activity.

The National Oceanic and Atmospheric Administration says people should start exercising “caution” when the heat index reaches 80 to 90 degrees and “extreme caution” from 90 to 103 degrees. It labels everything over 103 “danger” or “extreme danger.”

NOAA has a chart that shows how the heat index is affected by humidity. For example, a day that is 90 degrees Fahrenheit (32 Celsius) can hit the “danger” level with 70% humidity.

Tips for staying safe if you exercise in the heat

If you want to exercise in the heat, here are some tips to say safe, according to the U.S. Centers for Disease Control and Prevention.

— Time your exercise and outdoor activities for the coolest parts of the day.

— Try to exercise in the shade as much as possible.

— Take frequent breaks.

— Drink lots of fluids, and limit drinks that are high in sugar, caffeine and alcohol. Don’t wait until your are thirsty to drink more.

— Exercise with someone so you can check on each other, or pair up with a teammate.

How to recognize that you may be overheating

If you start to feel any of these symptoms, stop exercising, get to a cool place and seek medical care:

— Muscle cramping or muscle weakness

— Shortness of breath

— Dizziness

— Headaches

— Nausea

If you take it too far, you are risk for heat related illnesses

A common heat-related illness is heat exhaustion, which can be marked by rapid heartbeat, fast breathing, headache, nausea and muscle weakness or cramping.

It can develop into the more serious heat stroke, when your body can no longer control its temperature. Symptoms include confusion or slurred speech, seizures or even loss of consciousness.

Heat also increases your risk for a rare condition called rhabdomyolysis, which causes the rapid breakdown of muscles. If you think you or a fellow athlete are in danger, call 911, give them fluids — preferably water — and try to cool their bodies with cold water or cold compresses. ___

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Department of Science Education and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.



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Don’t let the season go by without making strawberry shortcake

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On a recent visit to see my son at the University of California, Davis, I wandered into a lab at the Robert Mondavi Institute for Wine and Food Science … as one does. A bunch of students were preparing for a tasting to evaluate some of the strawberry breeds they have been developing.

My food nerd heart swelled, and for the first time in decades, I missed school.

When strawberries are in season, it is incumbent upon us to make the most of those fleeting weeks.

And I can’t think of a better way to put them to use than in a classic strawberry shortcake. If you can find wild strawberries, or at least really flavorful ones from a farmers market (or if you are getting your PhD in food studies with a concentration in strawberries in California), this treat is nothing short of heavenly.

There is nothing difficult about strawberry shortcake. A few components come together in a gorgeous stack of sweetness.

First, the biscuits

I like my shortcake biscuits slightly sweet, but not overly sugary. The natural sweetness in the sliced strawberries will be augmented with a bit of sugar to amp up those ruby red juices. Plus there’s the whipped cream, which can be as sweet or restrained as you like.

Cut out the biscuits as close together as you can, with as little dough left behind on the cutting board as possible. Yes, you can roll the scraps up and cut out another couple of circles, but the more you handle the dough the less tender it becomes.

The tops of the biscuits are brushed with a bit of half-and-half or milk and sprinkled with sugar before they go into the oven, resulting in a beautifully browned and slightly crunchy top.

Make biscuits with some height to them, as you will be cutting them horizontally and then filling them with the strawberries and cream.

The layers

I like a double-decker strawberry shortcake, which definitely requires a knife and fork.

To assemble: The bottom half of the biscuit goes first, then some whipped cream, then strawberries. Then the top half of the biscuit. And then, yes, more whipped cream and more strawberries.

The addition of sour cream to the whipped cream is a pastry chef hack that I learned over the years. It adds more richness, stability and body to the whipped cream, and gives the whole shebang a whole other layer of lushness.

Strawberry Shortcake

Serves 6

Ingredients:

2 ½ cups all-purpose flour, sifted

6 tablespoons granulated sugar, divided

4 teaspoons baking powder

½ teaspoon baking soda

1 teaspoon kosher salt

Finely grated zest of 1 lemon

¾ cup (1 ½ sticks) cold unsalted butter, cut into small cubes

¾ cup half-and-half or whole milk

2 tablespoons melted butter

2 pints (4 cups) fresh strawberries, hulled and sliced

For the Whipped Cream:

1 cup heavy cream, chilled

2 tablespoons sour cream, crème fraiche or mascarpone (optional)

2 tablespoons confectioners’ sugar

1 teaspoon pure vanilla extract

Directions:

1. Preheat the oven to 425°F. Very lightly flour a clean counter or work surface.

2. Combine the flour with 2 tablespoons of the granulated sugar, the baking powder, baking soda, salt, and lemon zest in a medium bowl. Cut in the butter with a pastry blender or use your fingers to rub it into the flour until the mixture resembles coarse crumbs. Or, pulse the butter into the flour mixture in a food processor.

3. Add the ¾ cup half-and-half or milk and stir until just barely combined. Turn the mixture onto the lightly floured surface. Use your hands to lightly mix the dough until it barely holds together. Pat it out into a circle or a rectangle 1/2-inch thick.

4. Use a 3-inch round biscuit or cookie cutter to cut out the shortcakes, keeping them as close together as possible to minimize extra dough. Use a sharp biscuit cutter rather than a glass, and press down and pull straight up, without twisting; twisting will hinder their rising as they bake. If you dip the biscuit cutter in flour between each biscuit cutting, it will help prevent sticking. Collect the scraps and re-pat them out into a ½-inch disk, and cut out another 2 or 4 circles when you are done. Try to handle the dough as little as possible.

5. Butter a baking sheet or spray it with nonstick cooking spray. Transfer half the biscuits to the sheet. Brush the tops with a bit of the melted butter. Top the butter-brushed dough with the remaining cut-out biscuits. Brush the tops with a bit of milk or half-and-half. Sprinkle 2 tablespoons of sugar over the shortcakes.

6. Bake for about 15 minutes, until light golden brown. Transfer to a wire rack to cool.

7. Meanwhile, put the berries in a medium bowl and sprinkle with the remaining 2 tablespoons of sugar, or to taste. Toss with a fork, and lightly crush some of the berries so you have some different textures going on and some of the juices are released. Let the berries sit for at least 15 minutes.

8. Once the berries are macerating, make the whipped cream. Place the heavy cream, sour cream, confectioners’ sugar and vanilla in a clean bowl (if you chill it first, the cream will whip up faster.)

9. Use a whisk or a handheld electric mixer on high speed to beat the cream until it starts to form stiff peaks. Refrigerate until ready to use.

10. Just before serving, cut each biscuit crosswise. Place the bottom halves on plates, layer on some strawberries, then some whipped cream. Replace the top of the shortcake, then spoon over some more strawberries and whipped cream. Serve immediately.

___

Katie Workman writes regularly about food for The Associated Press. She has written two cookbooks focused on family-friendly cooking, “Dinner Solved!” and “The Mom 100 Cookbook.” She blogs at https://themom100.com/. She can be reached at [email protected].

___

For more AP food stories, go to https://apnews.com/hub/recipes.



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In Porto, locals celebrate the summer and patron saint John the Baptist with plastic hammers

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PORTO, Portugal (AP) — On Porto’s steep streets, several thousands of people celebrated the summer in the way the city has been doing it for decades and centuries: by bonking friends and strangers alike with toy hammers and reveling in the streets all night.

A Christian holiday with pagan roots, the eve of the feast of St. John the Baptist — Porto’s patron saint — is celebrated with fireworks, balloons and lots of grilled sardines. An older St. John’s Eve ritual in Portugal’s second-biggest city involved buying leek flowers believed to bring good fortune and inviting strangers to sniff the pungent plant.

In the 1960s, a local businessman introduced the playful plastic hammer, which has since become the most famous symbol of the Iberian city’s raucous summer solstice celebration.

It’s a “celebration of energy, a celebration of what the city of Porto is,” resident Joao Sousa said, moments after being clubbed with a toy hammer. “It’s to live and relive what our ancestors have given us and be able to still enjoy it today.”

St. John’s Eve — São João in Portuguese — is considered to be the longest night of the year and among the most special for locals.

In the days before the festival, local shops adorn storefronts with miniature dioramas called “Cascatas” that feature figures of St. John the Baptist, scenes from his life as well as depictions of daily life in Porto. A central element in the dioramas are waterfalls, for which the elaborate miniatures get their name.

The dioramas also highlight the holiday’s dual Catholic and pagan roots.

“It is a pagan celebration. It is the cult of the sun, of fire, of water,” said Germano Silva, a renowned writer and historian of the Portuguese city. “The saint enters when Christianity begins. The church in a successful marketing operation adds the saint into the solstice celebration,” he said.

The festival’s essence lies in having the freedom to use a plastic hammer on friends and strangers without starting a fight.

Not even Portugal’s Prime Minister Luís Montenegro was spared. On Monday night, Montenegro took part in the Fontainhas neighborhood overlooking the Douro River. While some revelers took photos with him, others simply saluted him with their colorful plastic hammers.

Tourists took part in festivities, too. Helni Turtaea, a 21-year-old from Finland, said the hammer hitting startled her at first but she quickly saw its charm.

“At first I got frightened when someone hit me … but it has been so much fun because I think it kind of unites people when they are hitting strangers,” Turtaea said.

Porto historian Silva said the celebration is about unifying strangers no matter their differences — beginning with inviting strangers to lean in and smell the leeks a person carried, to now greeting a stranger with a playful tap.

“We don’t know whom we cross paths with, if the person is rich or poor, a doctor or a factory worker,” Silva said. On the night of June 23, he said a stranger is simply “someone who passes by and is celebrating São João with us.”

___

Naishadham reported from Madrid.

___

Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.



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