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Fashion trends for fall: Big shoulders, even bigger coats and a color story to dye for

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PARIS (AP) — Paris has spoken, and fashion’s final authority has laid down the law: This coming fall, it’s all about power shoulders, enveloping outerwear, and a color palette that runs from somber to surreal.

If Milan softened up with romance and New York leaned into Y2K grunge, Paris countered with sartorial surety — a wardrobe built for the sharp, the serious, and the spectacular. Coats are enormous, tailoring is back, and drama is dialed up on every front.

While trends may start in luxury, they quickly trickle down, as fast fashion companies like Zara, H&M, and Shein race to transform runway spectacle into mass-market hits.

Here’s what ruled the runways:

Coats so big, they might eat you

If you thought last season’s outerwear was oversized, Paris just laughed in your face.

This season, coats aren’t just big — they’re monstrous. At Louis Vuitton, Nicolas Ghesquière sent out blanket coats with pannier-like hips, reminiscent of 19th-century railway travelers layering for the journey ahead.

Meanwhile, Balenciaga’s Demna reined in the theatrics to focus on pure, sculptural volume: wool coats, puffer-gown hybrids, and structured trenches that redefined silhouette without gimmicks. Marine Serre, ever the sustainable innovator, crafted oversized outerwear from upcycled materials, proving excess and ethics can coexist.

Shoulders wide enough to rival a Renaissance painting

Power shoulders are back, and they mean business.

At Givenchy, Sarah Burton’s debut delivered tailored coats with razor-sharp shoulders, softened only by impeccable drape. Victoria Beckham exaggerated the shoulder line on evening silhouettes, creating a statuesque effect. Loewe’s Jonathan Anderson played with distorted proportions, adding surrealist twists to a commanding frame.

The message? Whether you’re in a power suit or a party dress, take up space.

Red, black and blue

Color took a turn for the cinematic this season.

Valentino’s Alessandro Michele bathed his collection in deep, bloody red, reinforcing its intensity with a show set in a Lynchian restroom. Meanwhile, Akris explored blue — midnight, cobalt, and cerulean dominated a collection that felt like a meditative study on fabric and light.

Balenciaga presented black as a statement rather than a default, stripping away excess and letting the depth of the shade do the talking.

The takeaway? Monochrome dressing is in, but it’s not minimal.

Logos are out

A quiet revolution in high fashion: the return of discreet, considered luxury. No screaming logos, no gimmicky hype — just clothes so well-made they speak for themselves.

At Dior, Maria Grazia Chiuri reworked historical silhouettes into supremely wearable tailoring, proving craftsmanship is the ultimate flex.

An uncharacteristically restrained collection at Rick Owens focused on impeccable construction: bomber jackets lined with leather, laser-cut leather shorts mimicking chainmail, and hoodies made of natural rubber that moved like liquid. This is luxury for those who know.

Tech meets couture

Tech-infused fashion isn’t new, but Coperni took it further with a runway staged as a ’90s LAN party, complete with gaming influencers live-streaming the show.

The collection borrowed from cyberculture, with Tamagotchi-shaped bags, futuristic fabrics and anime-inspired styling.

Louis Vuitton collaborated with Kraftwerk on a limited-edition capsule inspired by Trans-Europe Express, blending heritage travel motifs with futuristic detailing. Even Balenciaga got in on the game, crafting couture-worthy sportswear in collaboration with Puma.

The message? The future is interactive.

Femininity stripped naked

This season, femininity wasn’t soft — it was bold, aggressive and unapologetically exposed.

Designers stripped it back to its rawest form, literally in some cases. Rick Owens put models in structured outerwear, but left their chests bare, reinforcing a vision of sensual strength.

At Givenchy, sheer knit catsuits left little to the imagination, countered by razor-sharp tailoring. Valentino’s fever dream pushed sensuality further, with plunging necklines, sheer lace and corseted waists that oozed eroticism.

The theme mirrored the naked dress takeover at the Oscars days earlier, where sheer, body-revealing gowns dominated the red carpet.

But where Hollywood leaned ethereal, Paris went tougher — sheer fabrics paired with armor-like corsetry, exposed skin framed by rigid tailoring. At Chloé, aristocratic silhouettes became sensual with transparency, suggesting that power and vulnerability can — and should — coexist.

The message? Femininity, stripped of fragility, dressed for battle.

Final verdict: Paris sets the agenda

The last of the fashion capitals to show, Paris always has the final, snooty say on what’s hot and what’s not.

And this season, the message was clear: go big, be bold, and invest in pieces that actually matter.

Whether it’s the presence of a power coat, the strength of a structured shoulder, or the quiet confidence of truly luxurious fabric, the best collections weren’t about trends — they were about statements. And in a world that feels increasingly uncertain, that kind of sartorial confidence is exactly what we need.



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How to avoid heat-related illnesses if you want to play sports or exercise in extreme heat

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Extreme heat makes it especially hard for your body to cool down, so you need to be extra careful if you exercise or play sports when it’s baking outside.

Your brain tries to keep your body within a degree or two of 98.6 degrees Fahrenheit (37 degrees Celsius), and it does so in part by triggering sweat. When sweat dries, it carries away heat from your body’s surface.

When sweat can’t do its job — because your body is generating a lot of heat or it’s too hot and humid to cool down — you are at risk of becoming dehydrated or even getting a heat-related illness such as heat exhaustion or heat stroke.

When heat is dangerous — and why humidity matters

The higher the temperature, the harder it is for the body to stay cool, but humidity plays a big role too. High humidity makes it feel hotter than the temperature because it makes sweating less effective. There’s so much water in the air already that it can’t take up much more — including the water in your sweat.

The heat index, which factors in humidity and is included on many weather forecasts, provides a sense of how hot it really feels — and what’s dangerous for prolonged exposure or strenuous activity.

The National Oceanic and Atmospheric Administration says people should start exercising “caution” when the heat index reaches 80 to 90 degrees and “extreme caution” from 90 to 103 degrees. It labels everything over 103 “danger” or “extreme danger.”

NOAA has a chart that shows how the heat index is affected by humidity. For example, a day that is 90 degrees Fahrenheit (32 Celsius) can hit the “danger” level with 70% humidity.

Tips for staying safe if you exercise in the heat

If you want to exercise in the heat, here are some tips to say safe, according to the U.S. Centers for Disease Control and Prevention.

— Time your exercise and outdoor activities for the coolest parts of the day.

— Try to exercise in the shade as much as possible.

— Take frequent breaks.

— Drink lots of fluids, and limit drinks that are high in sugar, caffeine and alcohol. Don’t wait until your are thirsty to drink more.

— Exercise with someone so you can check on each other, or pair up with a teammate.

How to recognize that you may be overheating

If you start to feel any of these symptoms, stop exercising, get to a cool place and seek medical care:

— Muscle cramping or muscle weakness

— Shortness of breath

— Dizziness

— Headaches

— Nausea

If you take it too far, you are risk for heat related illnesses

A common heat-related illness is heat exhaustion, which can be marked by rapid heartbeat, fast breathing, headache, nausea and muscle weakness or cramping.

It can develop into the more serious heat stroke, when your body can no longer control its temperature. Symptoms include confusion or slurred speech, seizures or even loss of consciousness.

Heat also increases your risk for a rare condition called rhabdomyolysis, which causes the rapid breakdown of muscles. If you think you or a fellow athlete are in danger, call 911, give them fluids — preferably water — and try to cool their bodies with cold water or cold compresses. ___

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Department of Science Education and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.



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Don’t let the season go by without making strawberry shortcake

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On a recent visit to see my son at the University of California, Davis, I wandered into a lab at the Robert Mondavi Institute for Wine and Food Science … as one does. A bunch of students were preparing for a tasting to evaluate some of the strawberry breeds they have been developing.

My food nerd heart swelled, and for the first time in decades, I missed school.

When strawberries are in season, it is incumbent upon us to make the most of those fleeting weeks.

And I can’t think of a better way to put them to use than in a classic strawberry shortcake. If you can find wild strawberries, or at least really flavorful ones from a farmers market (or if you are getting your PhD in food studies with a concentration in strawberries in California), this treat is nothing short of heavenly.

There is nothing difficult about strawberry shortcake. A few components come together in a gorgeous stack of sweetness.

First, the biscuits

I like my shortcake biscuits slightly sweet, but not overly sugary. The natural sweetness in the sliced strawberries will be augmented with a bit of sugar to amp up those ruby red juices. Plus there’s the whipped cream, which can be as sweet or restrained as you like.

Cut out the biscuits as close together as you can, with as little dough left behind on the cutting board as possible. Yes, you can roll the scraps up and cut out another couple of circles, but the more you handle the dough the less tender it becomes.

The tops of the biscuits are brushed with a bit of half-and-half or milk and sprinkled with sugar before they go into the oven, resulting in a beautifully browned and slightly crunchy top.

Make biscuits with some height to them, as you will be cutting them horizontally and then filling them with the strawberries and cream.

The layers

I like a double-decker strawberry shortcake, which definitely requires a knife and fork.

To assemble: The bottom half of the biscuit goes first, then some whipped cream, then strawberries. Then the top half of the biscuit. And then, yes, more whipped cream and more strawberries.

The addition of sour cream to the whipped cream is a pastry chef hack that I learned over the years. It adds more richness, stability and body to the whipped cream, and gives the whole shebang a whole other layer of lushness.

Strawberry Shortcake

Serves 6

Ingredients:

2 ½ cups all-purpose flour, sifted

6 tablespoons granulated sugar, divided

4 teaspoons baking powder

½ teaspoon baking soda

1 teaspoon kosher salt

Finely grated zest of 1 lemon

¾ cup (1 ½ sticks) cold unsalted butter, cut into small cubes

¾ cup half-and-half or whole milk

2 tablespoons melted butter

2 pints (4 cups) fresh strawberries, hulled and sliced

For the Whipped Cream:

1 cup heavy cream, chilled

2 tablespoons sour cream, crème fraiche or mascarpone (optional)

2 tablespoons confectioners’ sugar

1 teaspoon pure vanilla extract

Directions:

1. Preheat the oven to 425°F. Very lightly flour a clean counter or work surface.

2. Combine the flour with 2 tablespoons of the granulated sugar, the baking powder, baking soda, salt, and lemon zest in a medium bowl. Cut in the butter with a pastry blender or use your fingers to rub it into the flour until the mixture resembles coarse crumbs. Or, pulse the butter into the flour mixture in a food processor.

3. Add the ¾ cup half-and-half or milk and stir until just barely combined. Turn the mixture onto the lightly floured surface. Use your hands to lightly mix the dough until it barely holds together. Pat it out into a circle or a rectangle 1/2-inch thick.

4. Use a 3-inch round biscuit or cookie cutter to cut out the shortcakes, keeping them as close together as possible to minimize extra dough. Use a sharp biscuit cutter rather than a glass, and press down and pull straight up, without twisting; twisting will hinder their rising as they bake. If you dip the biscuit cutter in flour between each biscuit cutting, it will help prevent sticking. Collect the scraps and re-pat them out into a ½-inch disk, and cut out another 2 or 4 circles when you are done. Try to handle the dough as little as possible.

5. Butter a baking sheet or spray it with nonstick cooking spray. Transfer half the biscuits to the sheet. Brush the tops with a bit of the melted butter. Top the butter-brushed dough with the remaining cut-out biscuits. Brush the tops with a bit of milk or half-and-half. Sprinkle 2 tablespoons of sugar over the shortcakes.

6. Bake for about 15 minutes, until light golden brown. Transfer to a wire rack to cool.

7. Meanwhile, put the berries in a medium bowl and sprinkle with the remaining 2 tablespoons of sugar, or to taste. Toss with a fork, and lightly crush some of the berries so you have some different textures going on and some of the juices are released. Let the berries sit for at least 15 minutes.

8. Once the berries are macerating, make the whipped cream. Place the heavy cream, sour cream, confectioners’ sugar and vanilla in a clean bowl (if you chill it first, the cream will whip up faster.)

9. Use a whisk or a handheld electric mixer on high speed to beat the cream until it starts to form stiff peaks. Refrigerate until ready to use.

10. Just before serving, cut each biscuit crosswise. Place the bottom halves on plates, layer on some strawberries, then some whipped cream. Replace the top of the shortcake, then spoon over some more strawberries and whipped cream. Serve immediately.

___

Katie Workman writes regularly about food for The Associated Press. She has written two cookbooks focused on family-friendly cooking, “Dinner Solved!” and “The Mom 100 Cookbook.” She blogs at https://themom100.com/. She can be reached at [email protected].

___

For more AP food stories, go to https://apnews.com/hub/recipes.



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In Porto, locals celebrate the summer and patron saint John the Baptist with plastic hammers

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PORTO, Portugal (AP) — On Porto’s steep streets, several thousands of people celebrated the summer in the way the city has been doing it for decades and centuries: by bonking friends and strangers alike with toy hammers and reveling in the streets all night.

A Christian holiday with pagan roots, the eve of the feast of St. John the Baptist — Porto’s patron saint — is celebrated with fireworks, balloons and lots of grilled sardines. An older St. John’s Eve ritual in Portugal’s second-biggest city involved buying leek flowers believed to bring good fortune and inviting strangers to sniff the pungent plant.

In the 1960s, a local businessman introduced the playful plastic hammer, which has since become the most famous symbol of the Iberian city’s raucous summer solstice celebration.

It’s a “celebration of energy, a celebration of what the city of Porto is,” resident Joao Sousa said, moments after being clubbed with a toy hammer. “It’s to live and relive what our ancestors have given us and be able to still enjoy it today.”

St. John’s Eve — São João in Portuguese — is considered to be the longest night of the year and among the most special for locals.

In the days before the festival, local shops adorn storefronts with miniature dioramas called “Cascatas” that feature figures of St. John the Baptist, scenes from his life as well as depictions of daily life in Porto. A central element in the dioramas are waterfalls, for which the elaborate miniatures get their name.

The dioramas also highlight the holiday’s dual Catholic and pagan roots.

“It is a pagan celebration. It is the cult of the sun, of fire, of water,” said Germano Silva, a renowned writer and historian of the Portuguese city. “The saint enters when Christianity begins. The church in a successful marketing operation adds the saint into the solstice celebration,” he said.

The festival’s essence lies in having the freedom to use a plastic hammer on friends and strangers without starting a fight.

Not even Portugal’s Prime Minister Luís Montenegro was spared. On Monday night, Montenegro took part in the Fontainhas neighborhood overlooking the Douro River. While some revelers took photos with him, others simply saluted him with their colorful plastic hammers.

Tourists took part in festivities, too. Helni Turtaea, a 21-year-old from Finland, said the hammer hitting startled her at first but she quickly saw its charm.

“At first I got frightened when someone hit me … but it has been so much fun because I think it kind of unites people when they are hitting strangers,” Turtaea said.

Porto historian Silva said the celebration is about unifying strangers no matter their differences — beginning with inviting strangers to lean in and smell the leeks a person carried, to now greeting a stranger with a playful tap.

“We don’t know whom we cross paths with, if the person is rich or poor, a doctor or a factory worker,” Silva said. On the night of June 23, he said a stranger is simply “someone who passes by and is celebrating São João with us.”

___

Naishadham reported from Madrid.

___

Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.



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