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‘Adolescence’: Netflix show creators spotlight crisis among teen boys

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CNN
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The world for kids today looks a lot different than it did for their parents.

A scene from the hit Netflix series “Adolescence” captures just how vast that difference is.

In the show’s second episode, Detective Inspector Luke Bascombe (Ashley Walters) is at a secondary school to investigate why 13-year-old Jamie Miller (Owen Cooper), the central character, allegedly killed his classmate Katie. Based on their Instagram interactions, he assumes the two were friendly, if not romantic.

That is, until Bascombe’s son — also a student at the school — tells him he’s got it all wrong.

The seemingly innocuous emojis that Katie commented with on Jamie’s Instagram were actually a coded form of bullying. The dynamite emoji represents an exploding red pill, a reference to the manosphere. The 100 symbol is another manosphere nod, alluding to a theory in those circles that 80% of women are attracted to 20% of men.

In other words, Katie implied that Jamie is an incel.

It’s a dizzying realization for Bascombe and the other adults — who are clearly clueless about the pernicious ideas that kids in their care are exposed to and how that permeates their lives.

That disconnect is at the heart of “Adolescence,” which since its premiere has viewers talking about young men’s attitudes toward women, incel culture, smartphone use and more.

The British miniseries starts out as a crime drama, but over the course of its four episodes, it explores what exactly could have possessed such an innocent-looking boy to do something so horrific.

The answers it comes up with aren’t so simple.

CNN spoke to series co-creator Jack Thorne about his journey into darker corners of the internet, young male rage and what he hopes parents take away from the show.

The conversation has been edited for length and clarity.

This series touches on a lot of timely issues: The manosphere, modern masculinity, online bullying. What made you want to tell this story?

It started with my friend (series co-creator) Stephen Graham. Stephen called me up and said we should write a show about boys hating girls and about knife crime, which in (the UK) is really problematic right now.

That was the start of us talking about male rage, our own anger, our own cruelty. We were trying to build a complicated portrait of masculinity: Of how we were made and how teenagers are being made in a lot of similar ways, but with a lot of differences, too.

Were these issues something you had been thinking about for a while?

It’s something I’ve been thinking about, but something I’d sort of dismissed.

As I was leaning in and trying to understand, I actually found a lot of things that were surprising to me, and a lot of ideas that, if I’d heard them at the wrong time, would have taken me on journeys that I’m very grateful I didn’t go on.

The ideas behind incel culture are very attractive because they make sense of a lot of things: feelings of isolation, low self worth, feeling unattractive. They tell you that there is a reason why the world is against you: Because the world has been built from a female perspective, and these women have all the power. (These ideas suggest that) you need to better yourself, get in the gym, learn how to manipulate and learn how to harm.

What was your research process for writing the character of Jamie?

Looking in a lot of dark corners, so Reddit and 4chan, and then changing my algorithm. I had a lot of burner accounts on all the big social media platforms, and I started following the obvious people. The obvious people took me to the less obvious people, and the less obvious people were the ones that I found really interesting.

No 13-year-old really is consuming Andrew Tate. What they are consuming is someone that’s really into gaming or TV shows or music, who has consumed Andrew Tate and is now espousing it in a different way. That level of the waterfall was the level I concentrated on as I was trying to find the people that had helped build Jamie.

Was there an overarching question that you were trying to answer?

Why did Jamie do it?

We always said, “This isn’t a whodunnit, but a whydunnit.” That’s why we go to the school in episode two, because if we hadn’t seen the education system, we wouldn’t have understood him properly. If we hadn’t seen the way that his peers operate, we wouldn’t have understood him properly. In episode three, we’re trying to understand the way that his brain works and what he’s processed.

Then in episode four, we’re in almost the most complicated place. We’re not going to make it easy to blame the parents for everything, but they are partially responsible here. What do they do with that question of responsibility, and how much responsibility should they take?

You explored Jamie’s descent into violent misogyny from multiple perspectives: His school environment, his home environment, his social media use. Where did he go wrong?

There’s that phrase, “it takes a village to raise a child.” It also takes a village to destroy a child, and Jamie has been destroyed.

He’s being destroyed by a school system that’s not helping him. He’s been destroyed by parents that are not really seeing him. He’s been destroyed by friends that maybe don’t reach him in the way that he needs to be reached. He’s been destroyed by his own brain chemistry, and he’s been destroyed by the ideas that he’s consumed. All these different elements are in play here.

In episode three, a child psychologist (Erin Doherty) interviews Jamie to assess whether he understands the gravity of his actions. Their conversation reveals a disturbing side of him.

I know you have a young son. How are you navigating these issues as a parent?

We’re not quite there yet. He’s just coming up to 9, and he likes “The Gremlins” and Roald Dahl. He’s not quite in the position where he’s interested in phones, and he’s certainly not interested in vlogs or blogs or any of those things.

The question is what we do when the pressure starts to build. What happens when he goes to secondary school and 80% of his class have got smartphones and he wants one, too? (What happens) when they get to take their phone to bed, and he wants to take his phone to bed, too?

That stuff is terrifying to me. Trying to work out group solutions to it is probably the answer, rather than trying to govern it from parent to parent. So that’s creating discussion groups amongst the parents, so that hopefully when we get to 11, enough of his friendship group have been denied phones that us denying him a phone is not as awful as it otherwise might be.

What needs to change to address the radicalization of young men?

I think we need to find a way of dealing with social media. How we do that with the people that are governing social media right now is very tough, because it’s not going to come from (the platforms) policing themselves. And in America, it’s not going to come from legislation either.

In Britain, we’re trying to talk to the government about the digital age of consent. In Australia, under 16 are banned from social media, and it’s the social media companies’ responsibility to keep them off it. I hope that in Britain we can start talking about it. But how you do that in America right now, I do not know.

This morning, I read about a parent group in Kent (a county in England) who are all working together to stop their kids at that crucial age getting smartphones. That will be huge, but it’s a very, very complicated problem. And it requires a lot of complicated solutions.

Each episode of the series was filmed as one continuous shot, which was a fascinating creative choice. How did that affect the way you told the story?

It wasn’t my decision. That was what (director Phil Barantini) and (Graham) took to me when I first got involved, and I was really excited by it. The reason why I love it from a writing perspective is it encourages you to think in a whole different way.

(Graham) said there’s one rule with writing single-shot shows, which is that the camera can’t go anywhere without a human. So you had to find a way of spinning enough stories to keep the audience’s attention. We couldn’t just stay with Jamie, and we couldn’t just stay with Eddie (Jamie’s father, played by Graham). We had to be moving inside that police station. We had to find different, other stories to follow.

It also forced me to be really partial in my storytelling. Usually your job as a storyteller is to give as much information to the audience as possible. You would be cutting to Katie’s family. You would be cutting to Jamie going through the legal process. You’d be cutting to Bascombe dealing with the problem of the missing knife. I can’t suddenly move in time and place too rapidly.

It shakes an audience out of its normal consumption method. It’s forced them out of their comfort zone a little bit and made them uneasy, and that was to our benefit.

I found that scene from episode two, in which DI Bascombe’s son explains the hidden meaning of those emojis, so striking. What do you think that exchange captures about the gulf between parents and children today?

It’s one of my favorite scenes because it’s about two things: It’s about him unpeeling something that he doesn’t understand and being bewildered by what he’s trying to understand. And it’s about a really delicate relationship between father and son that’s quite seriously broken.

In that scene, he recognizes for the first time that he is Eddie in this situation — he hasn’t seen his kid, and he doesn’t understand so much of what his kid is experiencing.

There’s not many moments of positivity in this show, but the gentle love story between Bascombe and his son, ending with them going off to get chips together, is one of the sweeter stories that we tell in the whole show.

The final episode of the series follows Jamie's dad Eddie Miller (Stephen Graham) and his other family members as they grapple with the consequences of their neglience.

Have you heard from other parents who have watched the show?

It’s been amazing. The really gratifying thing has been parents who’ve watched this show with their kids. Even (UK Prime Minister Keir Starmer) actually talked about watching the show with his 16-year-old and 14-year-old.

Close friends have said, “You’ve prompted discussions with me and my kids that I’ve never had before.” That’s the best review you could possibly get.

You’ve previously described TV as an “empathy box.” What do you hope that viewers take away from the show?

Listen to kids. They’re really vulnerable right now, and they need you.

That’s everyone. That’s not just parents, listen to your children. That’s teachers, listen to your students. That’s politicians, listen to the young people. I think they’re the great excluded at the moment, and I think they’re going through enormous pain. And we need to help them, because they’re in real trouble.

There aren’t simple answers to this, but the biggest answer is let them talk, or find a way to get them talking, or get inside what they’re worrying about. Then maybe, maybe you can release some stuff that can allow you to help them.



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Man convicted of Meredith Kercher’s murder facing trial for sexual assault

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CNN
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Rudy Guede, the only person definitively convicted of the brutal 2007 murder of British student Meredith Kercher in Perugia, Italy, will be back in court this fall facing charges of sexual assault and violence against a former girlfriend.

Guede, a 38-year-old Ivory Coast native who has lived in Italy since the age of five, was sentenced to 30 years in prison for Kercher’s murder in October 2008. His sentence was reduced on appeal before he was released early for good behavior in 2021.

The case sparked a media frenzy, spawning more than two dozen books and three films.

More than 100,000 photos, thousands of chats and audio messages between Guede and the unnamed victim are among the evidence to be considered in the trial, according to the investigating magistrate Rita Cialoni, who ordered Guede to stand trial in a preliminary hearing in Viterbo on Friday.

The two began dating while Guede was still in prison and ended their relationship in 2023 when the woman pressed charges against him, according to Italian media.

American student Amanda Knox, who was Kercher’s roommate at the time she was killed, and Knox’s then-boyfriend Italian Raffaele Sollecito, were convicted in tandem for their alleged role in Kercher’s murder in 2009, but were fully exonerated by Italy’s Supreme Court in 2015 following a topsy-turvy legal battle.

A reproduction made 06 November 2007 of an undated picture shows British exchange student Meredith Kercher in Perugia.

Knox, remains convicted of slander for accusing her former nightclub boss Patrick Lumumba of Kercher’s murder in 2007.

Guede’s new indictment and trial stems from 2023 accusations of sexual assault, mistreatment and stalking, by a 25-year-old woman Guede dated from Viterbo, where Guede worked first on work release from prison and then after his release. His first hearing will be held November 4 in Viterbo.

His lawyer Carlo Mezzetti told CNN his client was innocent and feared he would not get a fair trial given his previous conviction.



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Trump announces new tariffs of 30% on Mexico and the European Union

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CNN
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President Donald Trump on Saturday threatened duties of 30% on products from Mexico and the European Union, two of America’s biggest trading partners, in an ongoing tariff campaign that’s upended global trade since he retook office in January.

“The United States of America has agreed to continue working with the European Union, despite having one of our largest Trade Deficits with you. Nevertheless, we have decided to move forward, but only with more balanced and fair TRADE,” Trump wrote in the letter to Ursula von der Leyen, president of the European Commission, which he posted to Truth Social.

Trump has imposed a slate of tariffs on US trading partners this year – then paused, modified, raised or lowered them, in a chaotic barrage of policy actions that’s left everyone from major nations to individual Americans trying to figure out how to plan for the future even as economic uncertainty grows.

The EU and Mexico join a growing list of countries whose imports will face updated duties on August 1, since Trump began posting tariff letters on Monday with rates of up to 40%.

In his letters to the EU and Mexico, Trump said that all imports were subject to the 30% tariff, excluding “Sectoral Tariffs,” such as the 25% auto tariff.

Von der Leyen said in a statement that the EU remains “ready to continue working towards an agreement” by the August 1 deadline.

But, she said, a 30% tariff on EU exports would hurt supply chains, businesses and consumers on both sides of the Atlantic. The EU “will take all necessary steps to safeguard EU interests, including the adoption of proportionate countermeasures if required,” von der Leyen wrote.

Products from Mexico, meanwhile, have mostly been able to enter the country duty-free, granted they were compliant with the United States-Mexico-Canada Agreement (USMCA) Trump negotiated in his first term. In his letter addressed to Mexican President Claudia Sheinbaum, Trump said that tariff barriers were imposed to stop the flow of fentanyl into the United States, which he has previously used to justify earlier tariffs on Mexico as well.

“Mexico has been helping me secure the border, BUT, what Mexico has done, is not enough,” Trump wrote.

Mexico’s economy minister Marcelo Ebrard posted on X that a Mexican delegation told United States officials during a Friday meeting that plans to establish a new tariff rate would be “unfair treatment and that we did not agree.” But the United States and Mexico are negotiating to find an “alternative to protect businesses and jobs on both sides of the border.”

In the tariff letters, which were dated on Friday, Trump said that any retaliation of tariffs charged on US imports would be met with pushback from the United States. Trump said that “whatever the number you choose to raise (tariffs) by, will be added onto the 30% that we charge.”

He blamed both tariff and non-tariff trade barriers as additional reasons for imposing tariffs on the EU and Mexico.

Tractor-trailers wait in line at the Ysleta-Zaragoza International Bridge port of entry, on the US-Mexico border in Juarez, Mexico, on April 3.

The Trump administration has taken particular issue with value-added and digital services taxes, which are prominent in several EU member countries.

Digital service taxes are levied on the gross revenue that online firms collect from offering services to users. Countries with these taxes would be able to tax all the revenue large companies that operate online collect — even if the business is unprofitable. That can include what they collect from selling data, advertising as well as payments they receive for subscriptions, software and other kinds of online services users pay for.

Trump and members of his administration said on multiple occasions that the EU was not negotiating in good faith. And two months ago, Trump was so enraged by the lack of progress in trade talks that he was prepared to slap a 50% tariff on goods from the EU come June 1. “I’m not looking for a deal,” he said at the time.

A 30% tariff on the EU is more than the 20% “reciprocal” tariff which goods from there faced before Trump paused them in mid-April.

After Trump made the threat in May, Treasury Secretary Scott Bessent said in a Fox News interview that the “EU proposals have not been of the same quality that we’ve seen from our other important trading partners.”

The letters to the EU and Mexico come after Trump threatened 35% tariffs on some Canadian goods on Thursday.

This story has been updated with additional content.



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Giant 13-inch shoes found in ancient Roman fort near Hadrian’s Wall

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CNN
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An ancient Roman mystery is afoot in the rolling hills of northern Britain.

Archaeologists have unearthed a stash of unusually large shoes at the ruins of a first-century military fort along Hadrian’s Wall, a 73-mile (117-kilometer) stone barrier that famously shielded the Roman Empire’s northwestern perimeter from foreign invaders. The discovery is raising new questions about the lives and origins of the fort’s inhabitants.

The giant leather soles were found at Magna Fort in May among 34 pieces of footwear, including work boots and baby-sized shoes, that are helping to paint a picture of the 4,000 men, women and children who once lived in and around the English site just south of the Scottish border.

Eight of the shoes are over 11.8 inches (30 centimeters) in length — a US men’s size 13.5 or greater based on Nike’s size chart — making them larger than average by today’s standard and sparking suspicions that unusually tall troops may have guarded this particular fortress at the empire’s edge.

By contrast, the average ancient shoe found at a neighboring Roman fort was closer to a US men’s size 8, according to a news release about the discovery.

“When the first large shoe started to come out of the ground, we were looking for many explanations, like maybe it’s their winter shoes, or people were stuffing them, wearing extra socks,” recalled Rachel Frame, a senior archaeologist leading the excavation. “But as we found more of them and different styles, it does seem to be that these (were) just people with really large feet.”

As digging continues at Magna Fort, Frame said she hopes further investigation could answer who exactly wore these giant shoes. A basic sketch of the site’s past is just starting to come together.

When the Magna Fort was in use, multiple different Roman military troops and their families moved into the site every few years after it was built around AD 85, archaeologists suspect.

Inscriptions on the fort’s walls and altars recount settlements of Hamian archers from what is now Syria, Dalmatian mountain soldiers from Croatia and Serbia, and Batavians from the Netherlands, but the length of time each group stayed at the stronghold remains unknown.

Likely following orders from the Roman army, the troops would often leave the fort for distant regions and in their haste, ditch shoes, clothing and other belongings in the surrounding trenches, Frame explained.

Additionally, new occupants requiring more space would have built larger structures on top of the existing fort, packing rubble and clay between the walls and trapping any belongings left by the previous tenants, Frame said.

“As archaeologists, we like trash,” said Dr. Elizabeth Greene, an associate professor of classics at the University of Western Ontario. “You get those habitational layers where things were just left behind, maybe forgotten about, and that tells us more about the space.” Greene has studied thousands of shoes collected from the nearby Vindolanda Roman Fort, which has been excavated since the 1970s and is among the most well-studied of the Roman forts along Hadrian’s Wall.

The recently discovered Magna shoes share some similarities with those in the Vindolanda Fort collection, said Greene, who was not involved in the Magna excavation process, but has viewed the artifacts.

For one, the soles of the shoes from both sites are made from thick layers of cowhide leather held together with iron hobnails, she explained. While only a couple of the shoes discovered at Magna have some of the upper portions still intact, the Vindolanda Fort shoe styles include closed military boots and open work boots, as well as sneaker-like shoes reaching just below the ankle and sandals with leather fasteners.

It’s likely that the leather soles of the Magna shoes survived thousands of years in the ground thanks to ancient tanning techniques that used crushed up vegetative matter to create a water and heat resistant coating, Greene said. Testing is still underway to confirm this hypothesis.

Only two of the 34 shoes discovered at Magna Fort have the upper portions attached.

The length of the extra-large Magna shoes suggests the original owners may have been exceptionally tall, Greene said. At Vindolanda, only 16 out of the 3,704 shoes collected measured over 11.8 inches (30 centimeters).

Ancient Roman military manuals often described the ideal recruit as being only 5 feet, 8 inches or 5 feet, 9 inches in height, according to Rob Collins, a professor of frontier archaeology at Newcastle University in England. But the soldiers stationed around Hadrian’s Wall came from all around the far-reaching empire, bringing a wide diversity of physical traits to their settlements, he said.

Still, why Magna specifically might have needed troops of towering stature remains unclear.

To piece together the shoe owners’ identities, researchers will examine the Magna shoes for any signs of wear, Frame said. Any foot impressions left in the shoes could be used to model the feet of the original wearers.

Linking the shoes to real human remains, however, could prove difficult. For one, the Romans near Hadrian’s Wall generally cremated their dead, using a headstone to mark the graves, Collins said. Any bones that remain around the settlements are likely from enemy, illegal or accidental burials.

So far, the few bones that have been found at the Magna site were too soft and crumbly to provide insight, Frame said, but the team continues to search for new burial spots. Pottery and other artifacts found around the site may also help with dating and matching the timelines of the known occupants, she said.

But the researchers worry they could be running out of time.

Excavation of Magna Fort began in 2023.

The 2,000-year-old leather found at both the Vindolanda and Magna sites is preserved by the anaerobic, or low-oxygen, conditions of the soil, Frame said.

The 34 shoes found at the Magna fort, however, are in worse condition than those retrieved from Vindolanda decades ago — a problem Frame attributes to the changing climate.

“The more our climate changes, the more we get heat waves and droughts, or months’ worth of rain in one weekend type (of) scenarios, the more that influences the underground soil conditions and introduces more oxygen into these environments,” Frame explained.

In oxygen-rich soil, microbes thrive, contributing to decay, and acidic pH levels erode natural materials like leather.

Frame said the rapid weather changes only make their excavation of Magna more urgent.

“I’m not saying I don’t get excited about the shiny objects and precious treasures, but for me, archaeology is about the story of everybody else … the stories of the people whose lives weren’t written down, who weren’t kings or emperors or famous heroes,” she said. “These personal objects really put the real human people back into the picture.”



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