Lifestyle
Blizzard Entertainment president says ‘there’s a game for you’ no matter what type of player you are

IRVINE, Calif. (AP) — California gaming giant Blizzard Entertainment announced Thursday that its popular event BlizzCon is coming back after several years off.
The celebration of all things Blizzard, which will be held at the Anaheim Convention Center, is scheduled for September 2026. Blizzard last held the event in 2023. Next year’s BlizzCon will include staples like its opening ceremony — which typically includes big game announcements — as well as panels and other experiences.
Johanna Faries, president of Blizzard Entertainment, said BlizzCon is part of Blizzard’s role as an entertainment company that stretches beyond the boundaries of making games. BlizzCon, she said, is an entertainment platform and “an opportunity to create a different kind of gathering well for gamers.”
“There are so many stories at an individual level, just at BlizzCon alone, about how people’s lives were changed: I met my partner there. I finally could bond with my son in a way that I couldn’t before, thanks to BlizzCon,” said Faries. “We take that role very seriously.”
Faries discussed gaming’s growing popularity in pop culture, and why the medium is at the forefront of entertainment, with comedian Conan O’Brien at the SXSW Film & TV Festival in Texas on Tuesday.
She recently spoke with The Associated Press.
Q: What do you think it is about the last few years that has propelled gaming to the forefront?
A: I love that it’s happened. I think it’s been really just wonderful to also witness that change in conversation and zeitgeist and understanding. A lot of the things we talk about now is it’s really less about, you know, who is a gamer. It’s really what is anyone playing at any given moment in time. This also goes back to, I think, that the medium is starting to meet people on their terms. If you’re a casual gamer of a certain demographic in a certain part of the world, there’s games for you. If you only have so many hours in a day to be able to expend escaping into the “World of Warcraft,” there’s a game for you. If you’re a mobile player, if you’re a PC player, if you’re both depending on the room in your house, there’s a way for us to be able to meet you — and not only cross platform or cross progression, cross play.
That’s part of where I think the technology has met this moment of making the consumer experience so personal to them, but also so ready made and more immediate. It’s also part of why again, I go back to, I think, this intersection of the best of the best in technology, the best of the best in creativity, the best of the best in what is entertainment today, where we want it to shape into the future, is really where gaming comes at the forefront, as compared to many other mediums.
Q: How has the gaming landscape changed from one that was perhaps more focused on Triple-A titles to one that now runs the gamut?
A: The models have changed and evolved over time as well. To your point, I think there’s a consumer appetite for long form, short form, and there are now, I think, so many skill sets coming into the sector to be able to do that in a world-class way. I’d also say what’s been really cool is how hybridized a lot of the play styles and play habits have been.
Some of the most followed and renowned creators or streamers are playing multiple games, right? They’re not sort of a one-hit wonder, so to speak, even if they may be more fluent in certain Triple-A or Double-A or, you know, different ways that we would sort of ascribe labels.
I myself play a ton of different games. Depends on my mood. Depends on, again, how many hours do I have to spend in it? And I love the sort of menu of choices that now we as an industry have been able to deliver for consumers, and not thinking about people in one-dimensional ways.
Q: The video game industry globally has generated more revenue than North American sports and movies combined. Where do you see gaming and the gaming experience fitting into broader entertainment?
A: It’s helped that a lot of our household name celebrities are also avid gamers, right? They’ve normalized the conversation around when the Kansas City Chiefs aren’t on the field, they’re playing a ton of games. We’ve got so many different well-known entertainment names across Hollywood, across film, across music, across fashion, who consider themselves fans of games. And that helps us connect dots. It helps us think about collaborations.
Q: How do you balance the use of AI with what the folks who are working on the games want?
A: You hit the nail on the head in terms of the word “balance.” We have wonderful, world-class talent who are always looking at the best in tech, the best in tools, to be able to unlock their creative prowess. What’s really wonderful, I think, is we take a lens of being very principled in that, no matter what the new technology is. We have peers and cross functional groups who are always talking about, what is the role of new tech in our work, but how do we make sure that it’s coming from the ground up? It’s dev-led. It’s dev-inspired. These are really emergent technologies, but we have to be principled and responsible about how we steward it, how we collectively mine for new opportunities.
But what I love is that there’s a real energy around this. That’s always been part and parcel of how, I think, Blizzard has approached new tech in game making. But we have a really good balance of being able to absorb what’s new, but also think about it from a principled people-first, player-first way, to ensure that, you know, our employees feel good about it. Our games thrive. Again, we’re just giving people the tools and the opportunity to do their best work.
Q: DEI has been a very big topic of conversation as over the the last couple of months, as some companies have ditched those initiatives. What role do you see DEI playing at your company?
A: I find it such a blessing that both Blizzard, but also gaming in general, has been inherently a diverse medium since its founding, and so that’s the lens that we were always going to think about it. Not only just at the consumer and the gaming level, in terms of our end results around the communities we forge, but with the people and the talent we want to recruit, retain and advance and empower who make up this organization. That’s always when we’re operating at our best, that’s always been critical to our values and how we see the world.
I also think one of the things that’s come up in conversation that’s really important to me is that kind of value, or values-based approach, is what engenders so much empathy in the stories that we create. Our worlds are nuanced and diverse. Our characters are nuanced and diverse. There is a sensitivity to different abilities, different backgrounds, different lived experiences. Nothing monolithic, nothing too obvious. And so we need people who have diverse, nuanced lived experiences to be able to tell and shape the stories that make us great. And that’s always going to be the truth for how we’re going to operate.
Q: What more can you tell me about what we can expect from BlizzCon?
A: I’m just so thrilled to be bringing it back in the fall of 2026 and I think time is on our side. That was a big part of why we wanted to take this longer lens approach to make sure that everybody comes with the best that we have to offer when we get back to Anaheim. But coming back to Anaheim Convention Center is also a key component to the legacy of BlizzCon, right?
It will be our 15th BlizzCon in Blizzard’s history. So this is a mega moment for us. And you know, I think we’re just really energized by the opportunity to not only bring it back, but elevate it and really over-deliver on people’s expectations — both, again, the players who play our games and have really high expectations for what BlizzCon needs to look and feel like for them, but also for our employees.
Lifestyle
Zimbabwe’s stone carvers seek a revival as an Oxford exhibition confronts a British colonial legacy

CHITUNGWIZA, Zimbabwe (AP) — A pair of white hands blinding a Black face. A smiling colonizer with a Bible, crushing the skull of a screaming native with his boot. Chained men in gold mines, and a pregnant woman.
These stone sculptures from Zimbabwe will take center stage at an upcoming exhibition at Oxford University in Britain, aiming to “contextualize” the legacy of British imperialist Cecil John Rhodes with depictions of religious deception, forced labor and sexual abuse.
Rhodes conquered large parts of southern Africa in the late 19th century. He made a fortune in gold and diamond mining and grabbed land from the local population. His grave lies under a slab of stone atop a hill in Zimbabwe.
Oxford’s Oriel College, where the exhibition will be held in September, is a symbolic setting. A statue of Rhodes stands there despite protests against it since 2015. Rhodes, who died in 1902, was an Oriel student who left 100,000 pounds (now valued at about 10.5 million pounds, or $13.5 million) to the school. His influence endures through a scholarship for students from southern African countries.
For Zimbabwean stone carvers at Chitungwiza Arts Center near the capital, Harare, the exhibition is more than an opportunity for Western audiences to glimpse a dark history. It is also a chance to revive an ancient but struggling art form.
Stone sculpture, once a thriving local industry, has suffered due to vast economic challenges and declining tourism.
“This will boost business. Buyers abroad will now see our work and buy directly from the artists,” said sculptor Wallace Mkanka. His piece, depicting the blinded Black face, was selected as the best of 110 entries and will be one of four winning sculptures on display at Oxford.
Zimbabwe, meaning “House of Stone,” derives its identity from the Great Zimbabwe ruins, a 1,800-acre Iron Age city built with precision-cut stones delicately stacked without mortar. It is a UNESCO World heritage site.
The southern African country has long used stone sculpture as a form of storytelling to immortalize history. The craft survived close to a century of colonial rule that sought to erase local traditions, religion and art forms.
It thrived internationally instead. Thousands of pieces were plundered from Africa. Some later became subjects of repatriation campaigns. Others became prized by tourists and collectors. A permanent collection of 20 Zimbabwean stone sculptures is displayed in a pedestrian tunnel at Hartsfield-Jackson Atlanta International Airport, one of the world’s busiest.
At its peak following independence, Zimbabwe’s stone sculpture industry thrived, with local white farmers purchasing pieces for their homes and facilitating international sales.
“Customers were everywhere. They would pay up front, and I always had a queue of clients,” recalled Tafadzwa Tandi, a 45-year-old sculptor whose work will feature in the Oxford exhibition.
However, the industry has struggled over the past two decades.
Zimbabwe’s global image suffered after controversial land reforms more than two decades ago displaced over 4,000 white farmers to redistribute land to about 300,000 Black families, according to government figures. Late ruler Robert Mugabe defended the reforms as necessary to address colonial-era inequities, but they had unintended economic consequences.
“Many of our customers were friends of the farmers. That is where the problem originated from,” said Tendai Gwaravaza, chairman of Chitungwiza Arts Center.
At the center, the sound of grinders filled the air as sculptors carved. Hundreds of finished pieces, ranging from small carvings to life-sized sculptures, waited for buyers.
“The only solution now is to get out there to the markets ourselves. If we don’t, no one will,” Gwaravaza said.
The Oxford exhibition represents such an opportunity for exposure, he said.
It is the brainchild of the Oxford Zimbabwe Arts Partnership, formed in response to the “Rhodes Must Fall” campaign during the Black Lives Matter protests in the U.S.
The group, consisting of Zimbabwean artists, an Oxford alumnus and a professor of African history, initially envisioned a larger project titled “Oxford and Rhodes: Past, Present, and Future.” It included enclosing Rhodes’ statue in glass, installing 100 life-size bronze statues of African liberation fighters and creating a collaborative sculpture using recycled materials to represent the future.
However, the project required an estimated 200,000 pounds, far beyond available resources. Eventually, Oriel College provided 10,000 pounds for a scaled-down exhibition.
“It’s still my hope that one day it could happen, but for now we have just accepted something very small to make a start and to do something,” said Richard Pantlin, the Oxford alumnus and OZAP co-founder.
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For more on Africa and development: https://apnews.com/hub/africa-pulse
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The Associated Press receives financial support for global health and development coverage in Africa from the Gates Foundation. The AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.
Lifestyle
Allergy season: How to check pollen levels and alleviate symptoms

ATLANTA (AP) — Allergy season can be miserable for tens of millions of Americans when trees, grass, and other pollens cause runny noses, itchy eyes, coughing and sneezing.
Where you live, what you’re allergic to and your lifestyle can make a big difference when it comes to the severity of your allergies. Experts say climate change is leading to longer and more intense allergy seasons, but also point out that treatments for seasonal allergies have become more effective over the last decade.
Here are some tips from experts to keep allergy symptoms at bay — maybe even enough to allow you to enjoy the outdoors.
Where are pollen levels the worst this year?
The Asthma and Allergy Foundation of America issues an annual ranking of the most challenging cities to live in if you have allergies, based on over-the-counter medicine use, pollen counts and the number of available allergy specialists.
This year, the top five cities are: Wichita, Kansas; New Orleans; Oklahoma City; Tulsa, Oklahoma; and Memphis.
Which pollens cause allergies?
There are three main types of pollen. Earlier in the spring, tree pollen is the main culprit. After that grasses pollinate, followed by weeds in the late summer and early fall.
Some of the most common tree pollens that cause allergies include birch, cedar, cottonwood, maple, elm, oak and walnut, according to the Asthma and Allergy Foundation of America. Grasses that cause symptoms include Bermuda, Johnson, rye and Kentucky bluegrass.
This article is part of AP’s Be Well coverage, focusing on wellness, fitness, diet and mental health. Read more Be Well.
How do I track pollen levels?
Pollen trackers can help you decide when to go outside. The American Academy of Allergy Asthma and Immunology tracks levels through a network of counting stations across the U.S. Counts are available at its website and via email.
Limit your exposure to pollens
The best and first step to controlling allergies is avoiding exposure. Keep the windows in your car and your home closed, even when it’s nice outside.
If you go outside, wearing long sleeves can keep pollen off your skin to help ward off allergic reactions, said Dr. James Baker, an allergist at the University of Michigan. It also provides some sun protection, he added.
When you get home, change your clothes and shower daily to ensure all the pollen is off of you — including your hair. If you can’t wash your hair every day, try covering it when you go outside with a hat or scarf. Don’t get in the bed with your outside clothes on, because the pollen will follow.
It’s also useful to rinse your eyes and nose with saline to remove any pollen, experts said. And the same masks that got us through the pandemic can protect you from allergies — though they won’t help with eye symptoms.
How to relieve allergy symptoms
Over-the-counter nasal sprays are among the most effective treatments for seasonal allergies, experts said.
But the vast majority of patients use them incorrectly, irritating parts of the nose, said Dr. Kathleen Mays, an allergist at Augusta University in Georgia. She suggested angling the nozzle outward toward your ear rather than sticking it straight up your nose.
Over-the-counter allergy pills like Claritin, Allegra and Zyrtec are helpful, but may not be as effective as quickly since they’re taken by mouth, experts said.
Experts also said that if your allergy symptoms are impacting your quality of life, like causing you to lose sleep or a lack focus at work or school, it might be time to consider an allergist appointment for immunotherapies.
Some remedies for allergy relief that have been circulating on social media or suggested by celebrities — like incorporating local honey into your diet to expose yourself to pollen — have been debunked.
Dr. Shayam Joshi, an allergist at Oregon Health and Science University, said that’s because the flowers that bees pollinate typically don’t contain the airborne pollen that causes allergy symptoms.
Is allergy season changing?
With climate change, winters are milder and growing seasons are longer, meaning there’s more opportunity for pollen to stay in the air, resulting in longer and more severe allergy seasons.
In many areas across the country, pollen counts have broken decades of records. In late March, the Atlanta Allergy and Asthma Center measured a pollen count of over 14,000 grains per cubic meter, which is considered extremely high.
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The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.
Lifestyle
The 250th anniversary of the Battles of Lexington and Concord opens debate over US independence
NEW YORK (AP) — The American Revolution began 250 years ago, in a blast of gunshot and a trail of colonial spin.
Starting with Saturday’s anniversary of the Battles of Lexington and Concord, the country will look back to its war of independence and ask where its legacy stands today.
The semiquincentennial comes as President Donald Trump, the scholarly community and others divide over whether to have a yearlong party leading up to July 4, 2026, as Trump has called for, or to balance any celebrations with questions about women, the enslaved and Indigenous people and what their stories reveal.
The history of Lexington and Concord in Massachusetts is half-known, the myth deeply rooted.
What exactly happened at Lexington and Concord?
Reenactors may with confidence tell us that hundreds of British troops marched from Boston in the early morning of April 19, 1775, and gathered about 14 miles (22.5 kilometers) northwest on Lexington’s town green.
Firsthand witnesses remembered some British officers yelled, “Thrown down your arms, ye villains, ye rebels!” and that amid the chaos a shot was heard, followed by “scattered fire” from the British. The battle turned so fierce that the area reeked of burning powder. By day’s end, the fighting had continued around 7 miles (11 kilometers) west to Concord and some 250 British and 95 colonists were killed or wounded.
But no one has learned who fired first, or why. And the revolution itself was initially less a revolution than a demand for better terms.
Woody Holton, a professor of early American history at the University of South Carolina, says most scholars agree the rebels of April 1775 weren’t looking to leave the empire, but to repair their relationship with King George III and go back to the days preceding the Stamp Act, the Tea Act and other disputes of the previous decade.
“The colonists only wanted to turn back the clock to 1763,” he said.
Stacy Schiff, a Pulitzer Prize winning historian whose books include biographies of Benjamin Franklin and Samuel Adams, said Lexington and Concord “galvanized opinion precisely as the Massachusetts men hoped it would, though still it would be a long road to a vote for independence, which Adams felt should have been declared on 20 April 1775.”
But at the time, Schiff added, “It did not seem possible that a mother country and her colony had actually come to blows.”
A fight for the ages
The rebels had already believed their cause greater than a disagreement between subjects and rulers. Well before the turning points of 1776, before the Declaration of Independence or Thomas Paine’s boast that “We have it in our power to begin the world over again,” they cast themselves in a drama for the ages.
The so-called Suffolk Resolves of 1774, drafted by civic leaders of Suffolk County, Massachusetts, prayed for a life “unfettered by power, unclogged with shackles,” a fight that would determine the “fate of this new world, and of unborn millions.”
The revolution was an ongoing story of surprise and improvisation. Military historian Rick Atkinson, whose “The Fate of the Day” is the second of a planned trilogy on the war, called Lexington and Concord “a clear win for the home team,” if only because the British hadn’t expected such impassioned resistance from the colony’s militia.
The British, ever underestimating those whom King George regarded as a “deluded and unhappy multitude,” would be knocked back again when the rebels promptly framed and transmitted a narrative blaming the royal forces.
“Once shots were fired in Lexington, Samuel Adams and Joseph Warren did all in their power to collect statements from witnesses and to circulate them quickly; it was essential that the colonies, and the world, understand who had fired first,” Schiff said. “Adams was convinced that the Lexington skirmish would be ‘famed in the history of this country.’ He knocked himself out to make clear who the aggressors had been.”
A country still in progress
Neither side imagined a war lasting eight years, or had confidence in what kind of country would be born out of it. The founders united in their quest for self-government but differed how to actually govern, and whether self-government could even last.
Americans have never stopped debating the balance of powers, the rules of enfranchisement or how widely to apply the exhortation, “All men are created equal.”
“I think it’s important to remember that the language of the founders was aspirational. The idea that it was self-evident all men were created equal was preposterous at a time when hundreds of thousands were enslaved,” said Atkinson, who cites the 20th-century poet Archibald MacLeish’s contention that “democracy is never a thing done.”
“I don’t think the founders had any sense of a country that some day would have 330 million people,” Atkinson said. “Our country is an unfinished project and likely always will be.”
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