Lifestyle
Blizzard Entertainment president says ‘there’s a game for you’ no matter what type of player you are

IRVINE, Calif. (AP) — California gaming giant Blizzard Entertainment announced Thursday that its popular event BlizzCon is coming back after several years off.
The celebration of all things Blizzard, which will be held at the Anaheim Convention Center, is scheduled for September 2026. Blizzard last held the event in 2023. Next year’s BlizzCon will include staples like its opening ceremony — which typically includes big game announcements — as well as panels and other experiences.
Johanna Faries, president of Blizzard Entertainment, said BlizzCon is part of Blizzard’s role as an entertainment company that stretches beyond the boundaries of making games. BlizzCon, she said, is an entertainment platform and “an opportunity to create a different kind of gathering well for gamers.”
“There are so many stories at an individual level, just at BlizzCon alone, about how people’s lives were changed: I met my partner there. I finally could bond with my son in a way that I couldn’t before, thanks to BlizzCon,” said Faries. “We take that role very seriously.”
Faries discussed gaming’s growing popularity in pop culture, and why the medium is at the forefront of entertainment, with comedian Conan O’Brien at the SXSW Film & TV Festival in Texas on Tuesday.
She recently spoke with The Associated Press.
Q: What do you think it is about the last few years that has propelled gaming to the forefront?
A: I love that it’s happened. I think it’s been really just wonderful to also witness that change in conversation and zeitgeist and understanding. A lot of the things we talk about now is it’s really less about, you know, who is a gamer. It’s really what is anyone playing at any given moment in time. This also goes back to, I think, that the medium is starting to meet people on their terms. If you’re a casual gamer of a certain demographic in a certain part of the world, there’s games for you. If you only have so many hours in a day to be able to expend escaping into the “World of Warcraft,” there’s a game for you. If you’re a mobile player, if you’re a PC player, if you’re both depending on the room in your house, there’s a way for us to be able to meet you — and not only cross platform or cross progression, cross play.
That’s part of where I think the technology has met this moment of making the consumer experience so personal to them, but also so ready made and more immediate. It’s also part of why again, I go back to, I think, this intersection of the best of the best in technology, the best of the best in creativity, the best of the best in what is entertainment today, where we want it to shape into the future, is really where gaming comes at the forefront, as compared to many other mediums.
Q: How has the gaming landscape changed from one that was perhaps more focused on Triple-A titles to one that now runs the gamut?
A: The models have changed and evolved over time as well. To your point, I think there’s a consumer appetite for long form, short form, and there are now, I think, so many skill sets coming into the sector to be able to do that in a world-class way. I’d also say what’s been really cool is how hybridized a lot of the play styles and play habits have been.
Some of the most followed and renowned creators or streamers are playing multiple games, right? They’re not sort of a one-hit wonder, so to speak, even if they may be more fluent in certain Triple-A or Double-A or, you know, different ways that we would sort of ascribe labels.
I myself play a ton of different games. Depends on my mood. Depends on, again, how many hours do I have to spend in it? And I love the sort of menu of choices that now we as an industry have been able to deliver for consumers, and not thinking about people in one-dimensional ways.
Q: The video game industry globally has generated more revenue than North American sports and movies combined. Where do you see gaming and the gaming experience fitting into broader entertainment?
A: It’s helped that a lot of our household name celebrities are also avid gamers, right? They’ve normalized the conversation around when the Kansas City Chiefs aren’t on the field, they’re playing a ton of games. We’ve got so many different well-known entertainment names across Hollywood, across film, across music, across fashion, who consider themselves fans of games. And that helps us connect dots. It helps us think about collaborations.
Q: How do you balance the use of AI with what the folks who are working on the games want?
A: You hit the nail on the head in terms of the word “balance.” We have wonderful, world-class talent who are always looking at the best in tech, the best in tools, to be able to unlock their creative prowess. What’s really wonderful, I think, is we take a lens of being very principled in that, no matter what the new technology is. We have peers and cross functional groups who are always talking about, what is the role of new tech in our work, but how do we make sure that it’s coming from the ground up? It’s dev-led. It’s dev-inspired. These are really emergent technologies, but we have to be principled and responsible about how we steward it, how we collectively mine for new opportunities.
But what I love is that there’s a real energy around this. That’s always been part and parcel of how, I think, Blizzard has approached new tech in game making. But we have a really good balance of being able to absorb what’s new, but also think about it from a principled people-first, player-first way, to ensure that, you know, our employees feel good about it. Our games thrive. Again, we’re just giving people the tools and the opportunity to do their best work.
Q: DEI has been a very big topic of conversation as over the the last couple of months, as some companies have ditched those initiatives. What role do you see DEI playing at your company?
A: I find it such a blessing that both Blizzard, but also gaming in general, has been inherently a diverse medium since its founding, and so that’s the lens that we were always going to think about it. Not only just at the consumer and the gaming level, in terms of our end results around the communities we forge, but with the people and the talent we want to recruit, retain and advance and empower who make up this organization. That’s always when we’re operating at our best, that’s always been critical to our values and how we see the world.
I also think one of the things that’s come up in conversation that’s really important to me is that kind of value, or values-based approach, is what engenders so much empathy in the stories that we create. Our worlds are nuanced and diverse. Our characters are nuanced and diverse. There is a sensitivity to different abilities, different backgrounds, different lived experiences. Nothing monolithic, nothing too obvious. And so we need people who have diverse, nuanced lived experiences to be able to tell and shape the stories that make us great. And that’s always going to be the truth for how we’re going to operate.
Q: What more can you tell me about what we can expect from BlizzCon?
A: I’m just so thrilled to be bringing it back in the fall of 2026 and I think time is on our side. That was a big part of why we wanted to take this longer lens approach to make sure that everybody comes with the best that we have to offer when we get back to Anaheim. But coming back to Anaheim Convention Center is also a key component to the legacy of BlizzCon, right?
It will be our 15th BlizzCon in Blizzard’s history. So this is a mega moment for us. And you know, I think we’re just really energized by the opportunity to not only bring it back, but elevate it and really over-deliver on people’s expectations — both, again, the players who play our games and have really high expectations for what BlizzCon needs to look and feel like for them, but also for our employees.
Lifestyle
Marijuana holiday 4/20 coincides with Easter and Passover this year. Here’s what to know

Marijuana culture’s high holiday, known as 4/20, falls this year on Easter Sunday, as well as the last day of Passover, meaning cannabis fans can celebrate in some unusual ways, including an “Easter nug hunt” in Los Angeles, kosher-style THC gummies in New York and a “blaze and praise” drag brunch in Portland, Oregon.
“It seemed appropriate with egg prices today that we’d be searching for something else,” said Brett Davis, who runs the marijuana tour company Weed Bus Los Angeles and organized the “Easter nug hunt.”
Here’s a look at 4/20’s history and how it’s being celebrated this year:
Why 4/20?
The origins of the date, and the term “420” generally, were long murky.
Some claimed it referred to a police code for marijuana possession or was derived from Bob Dylan’s “Rainy Day Women No. 12 & 35,” with its refrain of “Everybody must get stoned,” 420 being the product of 12 times 35.
But the prevailing explanation is that it started in the 1970s with a group of bell-bottomed buddies from San Rafael High School, in California’s Marin County north of San Francisco, who called themselves “the Waldos.”
A friend’s brother was afraid of getting busted for a patch of cannabis he was growing in the woods at nearby Point Reyes, so he drew a map and gave the teens permission to harvest the crop, the story goes.
During fall 1971, at 4:20 p.m., just after classes and football practice, the group would meet up at the school’s statue of chemist Louis Pasteur, smoke a joint and head out to search for the weed patch. They never did find it, but their private lexicon — “420 Louie” and later just “420” — would take on a life of its own.
The Waldos saved postmarked letters and other artifacts from the 1970s referencing “420,” which they now keep in a bank vault, and when the Oxford English Dictionary added the term in 2017, it cited some of those documents as the earliest recorded uses.
How did 4/20 spread?
A brother of one of the Waldos was a close friend of Grateful Dead bassist Phil Lesh, as Lesh once confirmed in an interview with the Huffington Post, now HuffPost. The Waldos began hanging out in the band’s circle, and the slang term spread.
Fast-forward to the early 1990s: Steve Bloom, a reporter for the cannabis magazine High Times, was at a Dead show when he was handed a flyer urging people to “meet at 4:20 on 4/20 for 420-ing in Marin County at the Bolinas Ridge sunset spot on Mt. Tamalpais.” High Times published it.
“It’s a phenomenon,” one of the Waldos, Steve Capper, now 69, once told The Associated Press. “Most things die within a couple years, but this just goes on and on. It’s not like someday somebody’s going to say, ‘OK, Cannabis New Year’s is on June 23rd now.’”
While the Waldos came up with the term, the people who made the flier that was distributed at the Dead show — effectively turning 4/20 into a holiday — remain unknown.
How is it celebrated?
With weed, naturally.
In New York City, the cannabis brand Tokin’ Jew is advertising a kosher-style THC gummy line, “Tokin’ Chews,” designed to meet dietary restrictions for Passover.
Davis said he expected 300 people to partake in the West Hollywood Easter nug scavenger hunt this weekend, aided by a mobile app leading them through participating dispensaries, trivia challenges and “stoner activities.” There is a $500 cash prize.
In Portland, Bar Carlo is hosting the “blaze and praise” drag brunch. Cannabis consumption isn’t allowed onsite — “Please blaze before you arrive or go for a walk in the neighborhood in between performances,” the event listing reads — but there will be a door-prize gift basket from a local dispensary.
Bar owner Melinda Archuleta said the brunch is a dry run for hosting Pride month events in June. She herself doesn’t care much for marijuana, but as a Mexican American who has been influenced by Catholicism, she is interested in seeing the two cultures melded “in a cheeky way.”
“I’m really looking forward to seeing how the queens do it,” Archuleta said. “We’ve obviously given them carte blanche to do whatever they want — it’s 21 and up — so it doesn’t matter if it’s sacrilegious or borderline offensive.”
There are bigger celebrations, too, including the Mile High 420 Festival in Denver and one put on by SweetWater Brewing in Atlanta. Hippie Hill in San Francisco’s Golden Gate Park historically has attracted massive crowds, but the gathering was canceled for a second straight year, with organizers citing a lack of financial sponsorship and city budget cuts.
Just north of the Bay Area, Lagunitas Brewing in Petaluma, California, releases its “Waldos’ Special Ale” every year on 4/20 in partnership with the term’s coiners.
4/20 also has become a big industry event, with vendors gathering to try each other’s wares.
What about the politics?
There are 24 states that allow recreational marijuana and 14 others allowing it for medical purposes. But the movement recently has suffered some setbacks, with voters in Florida, North Dakota and South Dakota deciding not to adopt legalization measures last November.
Several states also have cracked down on intoxicating products derived from hemp, which have been widely sold even in prohibition states thanks to a loophole in the federal Farm Bill.
Marijuana remains illegal under federal law. As a candidate, President Donald Trump said he would vote for Florida’s amendment and signaled support for reclassifying marijuana as a less dangerous drug, a process started by the Biden administration.
But his administration has not indicated cannabis policy is a priority. A fact sheet released by the White House last month complained that marijuana decriminalization in Washington, D.C., was an example of “failed policies” that “opened the door to disorder.”
A bipartisan group of senators last week reintroduced legislation that would ensure states can adopt their own cannabis policies and remove certain financial hurdles for the industry, such as letting entities deduct business expenses on their taxes.
Charles Alovisetti, a lawyer with the cannabis industry law firm Vicente LLP, said he hopes the administration will push forward with marijuana reform at the federal level, saying “it does align with some of their policy objectives — namely reducing criminal activity, or cartel activity.”
He also encouraged advocates to keep pushing, noting some measures such as improving banking access for marijuana businesses might pass as part of larger legislative packages.
“You continue speaking up, even if the political momentum isn’t there,” Alovisetti said. “It’s only possible if you stay in everyone’s ear.”
Lifestyle
Zimbabwe’s stone carvers seek a revival as an Oxford exhibition confronts a British colonial legacy

CHITUNGWIZA, Zimbabwe (AP) — A pair of white hands blinding a Black face. A smiling colonizer with a Bible, crushing the skull of a screaming native with his boot. Chained men in gold mines, and a pregnant woman.
These stone sculptures from Zimbabwe will take center stage at an upcoming exhibition at Oxford University in Britain, aiming to “contextualize” the legacy of British imperialist Cecil John Rhodes with depictions of religious deception, forced labor and sexual abuse.
Rhodes conquered large parts of southern Africa in the late 19th century. He made a fortune in gold and diamond mining and grabbed land from the local population. His grave lies under a slab of stone atop a hill in Zimbabwe.
Oxford’s Oriel College, where the exhibition will be held in September, is a symbolic setting. A statue of Rhodes stands there despite protests against it since 2015. Rhodes, who died in 1902, was an Oriel student who left 100,000 pounds (now valued at about 10.5 million pounds, or $13.5 million) to the school. His influence endures through a scholarship for students from southern African countries.
For Zimbabwean stone carvers at Chitungwiza Arts Center near the capital, Harare, the exhibition is more than an opportunity for Western audiences to glimpse a dark history. It is also a chance to revive an ancient but struggling art form.
Stone sculpture, once a thriving local industry, has suffered due to vast economic challenges and declining tourism.
“This will boost business. Buyers abroad will now see our work and buy directly from the artists,” said sculptor Wallace Mkanka. His piece, depicting the blinded Black face, was selected as the best of 110 entries and will be one of four winning sculptures on display at Oxford.
Zimbabwe, meaning “House of Stone,” derives its identity from the Great Zimbabwe ruins, a 1,800-acre Iron Age city built with precision-cut stones delicately stacked without mortar. It is a UNESCO World heritage site.
The southern African country has long used stone sculpture as a form of storytelling to immortalize history. The craft survived close to a century of colonial rule that sought to erase local traditions, religion and art forms.
It thrived internationally instead. Thousands of pieces were plundered from Africa. Some later became subjects of repatriation campaigns. Others became prized by tourists and collectors. A permanent collection of 20 Zimbabwean stone sculptures is displayed in a pedestrian tunnel at Hartsfield-Jackson Atlanta International Airport, one of the world’s busiest.
At its peak following independence, Zimbabwe’s stone sculpture industry thrived, with local white farmers purchasing pieces for their homes and facilitating international sales.
“Customers were everywhere. They would pay up front, and I always had a queue of clients,” recalled Tafadzwa Tandi, a 45-year-old sculptor whose work will feature in the Oxford exhibition.
However, the industry has struggled over the past two decades.
Zimbabwe’s global image suffered after controversial land reforms more than two decades ago displaced over 4,000 white farmers to redistribute land to about 300,000 Black families, according to government figures. Late ruler Robert Mugabe defended the reforms as necessary to address colonial-era inequities, but they had unintended economic consequences.
“Many of our customers were friends of the farmers. That is where the problem originated from,” said Tendai Gwaravaza, chairman of Chitungwiza Arts Center.
At the center, the sound of grinders filled the air as sculptors carved. Hundreds of finished pieces, ranging from small carvings to life-sized sculptures, waited for buyers.
“The only solution now is to get out there to the markets ourselves. If we don’t, no one will,” Gwaravaza said.
The Oxford exhibition represents such an opportunity for exposure, he said.
It is the brainchild of the Oxford Zimbabwe Arts Partnership, formed in response to the “Rhodes Must Fall” campaign during the Black Lives Matter protests in the U.S.
The group, consisting of Zimbabwean artists, an Oxford alumnus and a professor of African history, initially envisioned a larger project titled “Oxford and Rhodes: Past, Present, and Future.” It included enclosing Rhodes’ statue in glass, installing 100 life-size bronze statues of African liberation fighters and creating a collaborative sculpture using recycled materials to represent the future.
However, the project required an estimated 200,000 pounds, far beyond available resources. Eventually, Oriel College provided 10,000 pounds for a scaled-down exhibition.
“It’s still my hope that one day it could happen, but for now we have just accepted something very small to make a start and to do something,” said Richard Pantlin, the Oxford alumnus and OZAP co-founder.
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For more on Africa and development: https://apnews.com/hub/africa-pulse
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The Associated Press receives financial support for global health and development coverage in Africa from the Gates Foundation. The AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.
Lifestyle
Allergy season: How to check pollen levels and alleviate symptoms

ATLANTA (AP) — Allergy season can be miserable for tens of millions of Americans when trees, grass, and other pollens cause runny noses, itchy eyes, coughing and sneezing.
Where you live, what you’re allergic to and your lifestyle can make a big difference when it comes to the severity of your allergies. Experts say climate change is leading to longer and more intense allergy seasons, but also point out that treatments for seasonal allergies have become more effective over the last decade.
Here are some tips from experts to keep allergy symptoms at bay — maybe even enough to allow you to enjoy the outdoors.
Where are pollen levels the worst this year?
The Asthma and Allergy Foundation of America issues an annual ranking of the most challenging cities to live in if you have allergies, based on over-the-counter medicine use, pollen counts and the number of available allergy specialists.
This year, the top five cities are: Wichita, Kansas; New Orleans; Oklahoma City; Tulsa, Oklahoma; and Memphis.
Which pollens cause allergies?
There are three main types of pollen. Earlier in the spring, tree pollen is the main culprit. After that grasses pollinate, followed by weeds in the late summer and early fall.
Some of the most common tree pollens that cause allergies include birch, cedar, cottonwood, maple, elm, oak and walnut, according to the Asthma and Allergy Foundation of America. Grasses that cause symptoms include Bermuda, Johnson, rye and Kentucky bluegrass.
This article is part of AP’s Be Well coverage, focusing on wellness, fitness, diet and mental health. Read more Be Well.
How do I track pollen levels?
Pollen trackers can help you decide when to go outside. The American Academy of Allergy Asthma and Immunology tracks levels through a network of counting stations across the U.S. Counts are available at its website and via email.
Limit your exposure to pollens
The best and first step to controlling allergies is avoiding exposure. Keep the windows in your car and your home closed, even when it’s nice outside.
If you go outside, wearing long sleeves can keep pollen off your skin to help ward off allergic reactions, said Dr. James Baker, an allergist at the University of Michigan. It also provides some sun protection, he added.
When you get home, change your clothes and shower daily to ensure all the pollen is off of you — including your hair. If you can’t wash your hair every day, try covering it when you go outside with a hat or scarf. Don’t get in the bed with your outside clothes on, because the pollen will follow.
It’s also useful to rinse your eyes and nose with saline to remove any pollen, experts said. And the same masks that got us through the pandemic can protect you from allergies — though they won’t help with eye symptoms.
How to relieve allergy symptoms
Over-the-counter nasal sprays are among the most effective treatments for seasonal allergies, experts said.
But the vast majority of patients use them incorrectly, irritating parts of the nose, said Dr. Kathleen Mays, an allergist at Augusta University in Georgia. She suggested angling the nozzle outward toward your ear rather than sticking it straight up your nose.
Over-the-counter allergy pills like Claritin, Allegra and Zyrtec are helpful, but may not be as effective as quickly since they’re taken by mouth, experts said.
Experts also said that if your allergy symptoms are impacting your quality of life, like causing you to lose sleep or a lack focus at work or school, it might be time to consider an allergist appointment for immunotherapies.
Some remedies for allergy relief that have been circulating on social media or suggested by celebrities — like incorporating local honey into your diet to expose yourself to pollen — have been debunked.
Dr. Shayam Joshi, an allergist at Oregon Health and Science University, said that’s because the flowers that bees pollinate typically don’t contain the airborne pollen that causes allergy symptoms.
Is allergy season changing?
With climate change, winters are milder and growing seasons are longer, meaning there’s more opportunity for pollen to stay in the air, resulting in longer and more severe allergy seasons.
In many areas across the country, pollen counts have broken decades of records. In late March, the Atlanta Allergy and Asthma Center measured a pollen count of over 14,000 grains per cubic meter, which is considered extremely high.
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The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.
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